Tag: review

This is a blog in which I prepare to see Lila Raicek’s ‘My Master Builder’ on Tuesday 8th July at Wyndham’s Theatre, London.

July 2, 2025

How should we view the fall of a great man in a post-patriarchal age? A blog on preparing to see Lila Raicek’s ‘My Master Builder‘ on Tuesday 8th July at Wyndham’s Theatre, London. I consider some ways in which her play re-sees what Raicek calls Henrik Ibsen’s ‘autobiographical play’, ‘The Master Builder’ [‘Bigmester Solness’]. My … More This is a blog in which I prepare to see Lila Raicek’s ‘My Master Builder’ on Tuesday 8th July at Wyndham’s Theatre, London.

In the theatre we sit ‘there without moving. But under us all moved, and moved us, gently, up and down, and from side to side’. ‘Krapp’s Last Tape’ stuns and ‘moves’ me.

April 23, 2025

The stages of a long ovation: Gary Oldman honours his audience as Krapp. I am starting this blog in the train home from seeing Gary Oldman in Krapp’s Last Tape in York Theatre Royal. It is a strange thing trying to find the one phrase or sentence of action or speech that stays with you … More In the theatre we sit ‘there without moving. But under us all moved, and moved us, gently, up and down, and from side to side’. ‘Krapp’s Last Tape’ stuns and ‘moves’ me.

It’s all bananas: theatre posters and Samuel Beckett’s ‘Krapp’s Last Tape’.

April 21, 2025

It’s all bananas: theatre posters and Samuel Beckett’s ‘Krapp’s Last Tape’. The poster for the rather famous production starring Rich Cluchey; the lower photograph is Cluchey in the role Tomorrow I am going to see Krapp’s Last Tape at York Theatre Royal. The show booked up a long time ago but I managed to get … More It’s all bananas: theatre posters and Samuel Beckett’s ‘Krapp’s Last Tape’.

Visualising passion – approaching J.M.W. Turner’s  attempt to capture the embodiment of desire in ‘Turner’s Secret Sketches’ edited by Ian Warrell (2012).

April 18, 2025

Visualising passion – approaching J.M.W. Turner’s  attempt to capture the embodiment of desire in Turner’s Secret Sketches edited by Ian Warrell (2012) Tate Publishing. I am still cataloguing my books, abandoning many along the way, and have reached book number 3744 of the books I am keeping. The book is Turner’s Secret Sketches, edited and … More Visualising passion – approaching J.M.W. Turner’s  attempt to capture the embodiment of desire in ‘Turner’s Secret Sketches’ edited by Ian Warrell (2012).

Samuel Beckett was as meticulous about writing his stage directions as he was in writing poetic prose, and contingent character-based exclamations, of the monologues and dialogues spoken on the stage. How radically will Gary Oldman dare, if at all, to rewrite both the stage directions and words of Beckett’s spoken by him as ‘Krapp’.

April 17, 2025

Gary Oldman viewing the auditorium of the York Theatre Royal, on whose stage he opened performance last night for the first time of the play by Samuel Beckett, under his own direction, Krapp’s Last Tape. I see it at 7.30 p.m. on 22nd April. Photograph from theatre website: see https://www.yorktheatreroyal.co.uk/latest/gary-oldman-stars-in-samuel-becketts-krapps-last-tape-at-york-theatre-royal/ I will see Gary Oldman … More Samuel Beckett was as meticulous about writing his stage directions as he was in writing poetic prose, and contingent character-based exclamations, of the monologues and dialogues spoken on the stage. How radically will Gary Oldman dare, if at all, to rewrite both the stage directions and words of Beckett’s spoken by him as ‘Krapp’.

Good theatre is a shared experience but what is shared can only be decided by negotiation of our responsibility to all of its collaborators – writers, directorial staff, actors, the theatre and the audience. J.B. Priestley has his strange inspector (of what we ask) say in ‘An Inspector Calls’: “you see we have to share something. If there’s nothing else, we’ll have to share our guilt”. A funny thing happened to me when I went to see Stephen Daldry’s production at the Sunderland Empire on 8th April 2024.

April 11, 2025

Good theatre is a shared experience but what is shared can only be decided by negotiation of our responsibility to all of its collaborators – writers, directorial staff, actors, the theatre and the audience. J.B. Priestley has his strange inspector (of what we ask) say in ‘An Inspector Calls‘: “you see we have to share … More Good theatre is a shared experience but what is shared can only be decided by negotiation of our responsibility to all of its collaborators – writers, directorial staff, actors, the theatre and the audience. J.B. Priestley has his strange inspector (of what we ask) say in ‘An Inspector Calls’: “you see we have to share something. If there’s nothing else, we’ll have to share our guilt”. A funny thing happened to me when I went to see Stephen Daldry’s production at the Sunderland Empire on 8th April 2024.

In truth no-one is ‘unique’. The best thing we can do is to avoid turning to the single issues that fuel ‘moral panic’.

March 24, 2025

I need to answer this obliquely in order to avoid any validation of the notion of unique personalities. They do not and cannot exist. The argument might be worth taking up another day but my aim today is to assume that we should and must avoid the tendency in single-issue thinking to invoke moral panic. … More In truth no-one is ‘unique’. The best thing we can do is to avoid turning to the single issues that fuel ‘moral panic’.

‘WIND AND SEA SOUND, vast and heavy, subside before words resume’. A reflection on Tennessee Williams.

March 11, 2025

A collage of features of the first play mentioned below, This is not my copy though it is identical and has the signature As I clear my bookshelves, cataloguing what I keep and dispensing the rest to fate, I occasionally start reading them. My collection of Tennessee Williams’ work is though sacrosanct and none will … More ‘WIND AND SEA SOUND, vast and heavy, subside before words resume’. A reflection on Tennessee Williams.

Tomorrow I travel to London. My first destination experience is travelling to ancient Thebes recreated on the stage of the Old Vic Theatre to see Ella Hickson’s free adaptation of ‘Oedipus’.

February 25, 2025

Tomorrow I travel to London. My first destination experience is travelling to ancient Thebes recreated on the stage of the Old Vic Theatre to see Ella Hickson’s free adaptation of Oedipus. Reviewers’ comments have ranged from deliberate disdain to the usual passive-aggressive attempts to take down the reputation of visiting Hollywood stars alongside praise of … More Tomorrow I travel to London. My first destination experience is travelling to ancient Thebes recreated on the stage of the Old Vic Theatre to see Ella Hickson’s free adaptation of ‘Oedipus’.

‘In matters of grave importance, style, not sincerity is the vital thing’. Hence why be Earnest, Ernest? Seeing Max Webster’s version live-streamed at the Gala Durham 20th February 2025.

February 21, 2025

My photograph of the screen in the interval of ‘ The Importance of Being Earnest’ at the Gala Theatre Durham The words cited in my title are from Gwendolen Fairfax, one of the two young women in this play in love with the name ‘Ernest’. Is the name or style of a man his reality? … More ‘In matters of grave importance, style, not sincerity is the vital thing’. Hence why be Earnest, Ernest? Seeing Max Webster’s version live-streamed at the Gala Durham 20th February 2025.

This blog is on the live-streaming of Max Webster’s ‘Macbeth’, starring David Tennant and Cush Jumbo.

February 10, 2025

Is Macbeth truly about a man straining for greatness, or is it more accurately a  ‘woman’s story at a winter’s fire’  that shows the true heights to which the masculine can aspire? This blog is on the live-streaming of Max Webster’s Macbeth starring David Tennant and Cush Jumbo. I am always resistant when the opportunity to see Macbeth arises, with … More This blog is on the live-streaming of Max Webster’s ‘Macbeth’, starring David Tennant and Cush Jumbo.

Feeling the Baroque and Roll of the Classical Drama and Leigh Bowery over two days in London.

January 29, 2025

Now hubby Geoff is so unexpectedly well so soon, I am off comprehensive culture -seeking in London again on the 26th-27th February. It’s a return that promises to make me feel the Baroque and Roll of the Classical Drama and Leigh Bowery over two days. Hubby Geoff now so well he is finding fault with … More Feeling the Baroque and Roll of the Classical Drama and Leigh Bowery over two days in London.