Tag: poetry

If I use the verb ‘to write’, do I really mean that what I write must or should endure

August 17, 2025

The best known quatrain of Persian Poetry, in stolid Victorian translation is that from what The Poetry Foundation calls the ‘Rubáiyát, his collection of hundreds of quatrains (or rubais), was first translated from Farsi into English in 1859 by Edward Fitzgerald’, attributed to Omar Khayyam. There are versions on versions of the quatrains translated, not least by Fitzgerald . … More If I use the verb ‘to write’, do I really mean that what I write must or should endure

To carry is a moral task (not least because it demands nuanced and mature ethical grasp). Let’s hope I can be worthy of it in my remaining years.

August 6, 2025

The word ‘carry’ derives originally from the idea not on the personal capacity to bear something along with you on a journey but on the use of a ‘vehicle’ (‘from Latin “carrum” originally “two-wheeled Celtic war chariot), although the Celtic use itself bears the more difficult to reconcile association of “run”. Maybe the later etymology makes it … More To carry is a moral task (not least because it demands nuanced and mature ethical grasp). Let’s hope I can be worthy of it in my remaining years.

What act suffices as an ‘act of kindness’? Or is that the wrong question? This is a blog that is partially about Simon Armitage’s ‘Give’, first published in a collection in ‘Dead Sea Poems’ (1995).

July 24, 2025

From a film made to support schools teaching the poem Give by the BBC. See: https://www.bbc.co.uk/teach/class-clips-video/articles/znd7t39 I happened upon a word on a wallThat said just ‘Give’: Give what? I thought, I giveEnough in taxes, in support of those Who claim to suffer more than me. Who knows?If someone could write on walls can’t they … More What act suffices as an ‘act of kindness’? Or is that the wrong question? This is a blog that is partially about Simon Armitage’s ‘Give’, first published in a collection in ‘Dead Sea Poems’ (1995).

A sonnet ‘stolen’ from Shakespeare: Mine is called ‘You with such power in sight, see nothing’.

July 23, 2025

The following sonnet uses all the rhymes (nearly) and much of the iambic line of metre that still work with modern pronunciation of the words – dignity for instance just won’t make sense today if pronounced ‘dignit-eye’ – from William Shakespeare’s ‘Sonnet 94: They that have power to hurt and will do none‘ (see it … More A sonnet ‘stolen’ from Shakespeare: Mine is called ‘You with such power in sight, see nothing’.

‘The pursuit of health is a symptom of unhealth’, don’t you think?

July 17, 2025

Do poets revel in the ways and means of attaining health? The Royal College of Surgeons’ Sarah Gillam, in a piece published in 2019 points us to the fact that Keats spent his years as a student rather dissolutely and ‘unhealthily’ by the standards of maintaining optimal lasting health, even then: Keats apparently enjoyed his … More ‘The pursuit of health is a symptom of unhealth’, don’t you think?

Perhaps poetry has it both ways. The Golden Lads of Peter Forster, a Queer Engraver in Wood, seek adventure: Byron like Batman as we shall see. They do so though only in the ‘security’ that the poem that embodies them will last against wear and other thefts of time.

July 13, 2025

Perhaps poetry has it both ways. The Golden Lads of Peter Forster, a Queer Engraver in Wood, seek adventure: Byron like Batman as we shall see. They do so though only in the ‘security’ that the poem that embodies them will last against wear and other thefts of time. Forster’s Golden lads haunt The Folio … More Perhaps poetry has it both ways. The Golden Lads of Peter Forster, a Queer Engraver in Wood, seek adventure: Byron like Batman as we shall see. They do so though only in the ‘security’ that the poem that embodies them will last against wear and other thefts of time.

“It’s a poetic way of thinking about history, where materials themselves tell the story of power, fragility, and change”. Ali Cherri speaks of his art as ‘speaking through materiality’ in order to ‘reclaim the space of storytelling’. Losing ‘track of time’ is really a phrase we use when we track time not by the clock but by the qualitative meaure of its process in the way we tell stories, even hi-story.

July 7, 2025

“It’s a poetic way of thinking about history, where materials themselves tell the story of power, fragility, and change”. Ali Cherri speaks of his art as ‘speaking through materiality’ in order to ‘reclaim the space of storytelling’. [1] Losing ‘track of time’ is really a phrase we use when we track time not by the … More “It’s a poetic way of thinking about history, where materials themselves tell the story of power, fragility, and change”. Ali Cherri speaks of his art as ‘speaking through materiality’ in order to ‘reclaim the space of storytelling’. Losing ‘track of time’ is really a phrase we use when we track time not by the clock but by the qualitative meaure of its process in the way we tell stories, even hi-story.

If I were a poet, then I might know how best to thank those who make life beautiful: Gillian Allnut thanks someone for showing her how to see the beauty of a ‘Golden Saxifrage’ and other kindness. This blog is about one poem in Gillian Allnut’s beautiful 2025 volume ‘Lode’. I wish I knew how to thank her.

June 29, 2025

I bought Lode from the Left bookshop in Durham where Gillian Allnut herself works as a volunteer, and I read it through for the first time last night before attempting to ignore the heat and sleep. What buzzed through my mind together with the gorgeous complex rhythmic adventures and associations with recall from past great … More If I were a poet, then I might know how best to thank those who make life beautiful: Gillian Allnut thanks someone for showing her how to see the beauty of a ‘Golden Saxifrage’ and other kindness. This blog is about one poem in Gillian Allnut’s beautiful 2025 volume ‘Lode’. I wish I knew how to thank her.

Authority is a passing thing: The Story of one copy of the First Folio and an exhibition of its story in Durham

June 27, 2025

The First Folio of Shakespeare’s plays could be termed to give an authoritative statement of Shakespeare’s Plays. It does not. We think of authoritative things as things that can’t change. They do and must and authoring statements does not guarantee their infinite extension into wisdom that all must take on as belief. This is the … More Authority is a passing thing: The Story of one copy of the First Folio and an exhibition of its story in Durham

Is patience is the name given by Stoics and Christians to ‘the time we waste in waiting and  longing for change’ so that it seems to be of the greatest value of all things?

June 22, 2025

Is patience is the name given by Stoics and Christians to ‘the time we waste in waiting and  longing for change’ so that it seems to be of the greatest value of all things? “It’s very dree work, waiting,” says ‘Old Alice’ in Elizabeth Gaskell’s Mary Barton of waiting for news of her lost sailor … More Is patience is the name given by Stoics and Christians to ‘the time we waste in waiting and  longing for change’ so that it seems to be of the greatest value of all things?

‘… the name dear me the name was the same it was Rose and under Rose was Willy and under Willy was Billie. / It made Rose feel very funny it really did’. The propriety and ethics of name-dropping (and innuendo finding) in Gertrude Stein’s (1939) ‘The World Is Round’ London, B.T. Batsford Ltd.

June 15, 2025

‘… the name dear me the name was the same it was Rose and under Rose was Willy and under Willy was Billie. / It made Rose feel very funny it really did’. [0] The Ethics of name-dropping and innuendo finding in Gertrude Stein’s (1939) The World Is Round London, B.T. Batsford Ltd. I have … More ‘… the name dear me the name was the same it was Rose and under Rose was Willy and under Willy was Billie. / It made Rose feel very funny it really did’. The propriety and ethics of name-dropping (and innuendo finding) in Gertrude Stein’s (1939) ‘The World Is Round’ London, B.T. Batsford Ltd.

I am passionate about the role of reading and the redemption of material life it carries with it. This is a blog on Ocean Vuong (2025) ‘The Emperor of Gladness’

June 12, 2025

‘The linoleum, too, … is blue. So blue you’ll have the feeling  of being swept away because you are, into a current of corridors intentionally too narrow to turn around in’.[1] Queer writers have so long challenged the false universals of heteronormative stability, and perhaps privileged the discourse of sexual interaction as a panacea  for … More I am passionate about the role of reading and the redemption of material life it carries with it. This is a blog on Ocean Vuong (2025) ‘The Emperor of Gladness’