Tag: painting

The quiz of yesterday (after I lost faith in its fun): the answers.

April 20, 2025

In what follows, I scatter the correctly paired works variously in labeled collages: Barbara Hepworth Winter Solstice at ItDibs Hepworth’s idealistic iconography certainly extended to her self-portrait. The use of blank space on paper characterises the treatment of her massive forehead, full of space which her abstract figuration also has, wherein colour tones and shades … More The quiz of yesterday (after I lost faith in its fun): the answers.

Have a go at this exercise! I dare you! It is an exercise on whether we can use terms used in talking about art, in this using the term ‘style’ alone, to recognise a artist’ s work.

April 19, 2025

Me as a more-than-tubby queer angel. The title of this piece is a bit presumptuous. Too few read this blog, and very much fewer respond (though I am grateful for those who do feedback their thoughts either personally or in public) to assume anyone either wants me to set them a little experimental exercise or … More Have a go at this exercise! I dare you! It is an exercise on whether we can use terms used in talking about art, in this using the term ‘style’ alone, to recognise a artist’ s work.

The Art of the Pit Head Bath. Tom McGuinness: metamorphic artist

April 16, 2025

The Art of the Pit Head Bath. Joanna Drew (Arts Council of Great Britain – ACGB), Douglas Gray (art selector & essayist), Norman Siddall (British National Coal Board – NCB), Sir William Rees-Mogg (ACGB) & Dr John Kanefsky (essaysist) (1982: page 81) Coal: British Mining in Art 1680 -1980, London, The Arts Council of Great … More The Art of the Pit Head Bath. Tom McGuinness: metamorphic artist

It ‘s all in the making: reconstructing Munch.

April 7, 2025

As I work through my library, some books that startled me when I bought them have startled me again, for I have forgotten how novel they seemed. Such a one is that catalogue from an exhibition in the Newcastle Polytechnic in 1980 and related to the Newcastle Festival. The book was published in 1984. Organised … More It ‘s all in the making: reconstructing Munch.

Thomas Haller’s resurrection is his ‘lilac renaissance, his violet hour’.

April 3, 2025

Fritz Schein lives entirely in, and on as his means of living, ‘the art world’ of ‘spectacularity’ – a world of apparently random images and appearances that eschews the privacy of inner reflection by being in love with the still surface of mirrors. When the ‘great recluse’ Thomas Haller turns up at a show Schein knows … More Thomas Haller’s resurrection is his ‘lilac renaissance, his violet hour’.

A blog on the beautiful new novel by Adrian Duncan ‘The Gorgeous Inertia of the Earth’ (2025)

February 7, 2025

‘…, and yet there is something in the form that does not make sense to me’.[1] The beautiful new novel by Adrian Duncan The Gorgeous Inertia of the Earth (2025) imagines a project in which the ‘history from within’ is sought of ‘selected sculptures’.[2]  That history in a novel extends to the people who work  … More A blog on the beautiful new novel by Adrian Duncan ‘The Gorgeous Inertia of the Earth’ (2025)

The queer artist, Charles Ricketts, wrote: ‘There is something Latin in the fibre of Titian, in his sense of reality and sense of control. … he belongs to a patrician people to whom experience is met by the force equal to control it’. Could such a judgement relate to the experience of queer life in a Britain certain of its Imperial pretensions?

January 18, 2025

The queer artist, Charles Ricketts, wrote: ‘There is something Latin in the fibre of Titian, in his sense of reality and sense of control. … he belongs to a patrician people to whom experience is met by the force equal to control it’. [1] Could such a judgement relate to the experience of queer life … More The queer artist, Charles Ricketts, wrote: ‘There is something Latin in the fibre of Titian, in his sense of reality and sense of control. … he belongs to a patrician people to whom experience is met by the force equal to control it’. Could such a judgement relate to the experience of queer life in a Britain certain of its Imperial pretensions?

‘Street Kids’ Joan Eardley (c. 1950): Townhead in Glasgow

January 11, 2025

I first saw this painting painted about 1950 at an Eardley retrospective at the Scottish Gallery of Modern Art in a Joan Eardley retrospective called ‘A Sense of Place’ in 2017. Though often reduced to statements of the ‘strong identification with the poor and deprived’ type, these paintings do not seem to me to call … More ‘Street Kids’ Joan Eardley (c. 1950): Townhead in Glasgow

To have ‘flung a pot of paint in the public’s face’ is the dynamic of beauty in painting and proceeds when done properly as if it were done by the painting itself: the case of James McNeill Whistler’s ‘Nocturne in Black and Gold: The Falling Rocket’, 1875.

December 19, 2024

‘Nocturne in Black and Gold: The Falling Rocket’, 1875, which earned Ruskin’s scorn. Oil on panel, by Whistler, James Abbott McNeill (1834-1903); 60.2×46.7 cm; Detroit Institute of Arts, USA; © Detroit Institute of Arts ; Gift of Dexter M. Ferry Jr.; American, out of copyright. Credit: Bridgeman Images One of the strangest aspects of my … More To have ‘flung a pot of paint in the public’s face’ is the dynamic of beauty in painting and proceeds when done properly as if it were done by the painting itself: the case of James McNeill Whistler’s ‘Nocturne in Black and Gold: The Falling Rocket’, 1875.

Bridging Gaps in Personal Learning No. 3: The Bacon portraits at the National Portrait Gallery as acts of love & beauty.

November 9, 2024

Bridging Gaps in Personal Learning No. 3: Bacon claimed that the role of art was not to create a ‘likeness’ of what meets the eye in looking at his sitter but to discover ‘a deeper sense of the reality of the image; by finding a way to ‘unlock the areas of feeling’ that lead to … More Bridging Gaps in Personal Learning No. 3: The Bacon portraits at the National Portrait Gallery as acts of love & beauty.

Bridging Gaps in Personal Learning No. 2 : This blog is based on thinking about the debt of influence of Francis Bacon to his painting hero, Vincent Van Gogh, as a portraitist.

November 5, 2024

Bridging Gaps in Personal Learning No. 2: This blog is yet again an attempt to understand my own process of  learning. It is based on thinking about the debt of influence of Francis Bacon to his painting hero, Vincent Van Gogh, as a portraitist. I start with the configuration of that debt by Rosie Broadley … More Bridging Gaps in Personal Learning No. 2 : This blog is based on thinking about the debt of influence of Francis Bacon to his painting hero, Vincent Van Gogh, as a portraitist.

In lieu of a blog in a time of confusion: The Next blogs – the plan.

October 31, 2024

The Next blogs – the plan: I intend to keep up the blogs, lest the pin of my mental world is withdrawn in the present crisis in my husband’s health. For Geoff has become increasingly breathless over a week or so – the GP surgery thinking that at 83 all that was required was consultation … More In lieu of a blog in a time of confusion: The Next blogs – the plan.