That place is in the eyes and is the creation of the cognitive-affective machinery we all possess. It can even be simulated as if we were there in a fine performance, consciously enacted.

That place is in the eyes and is the creation of the cognitive-affective machinery we all possess. It can even be simulated as if we were there in a fine performance, consciously enacted. We saw a fine multi-award winning film last night: Since The Last Time We Met, by Matìas de Leis Correa, a brilliant … More That place is in the eyes and is the creation of the cognitive-affective machinery we all possess. It can even be simulated as if we were there in a fine performance, consciously enacted.

I think it must be being a film critic for I surely could not do a worst job than some! LOL. Malcolm Bradshaw, the film critic for ‘The Guardian’, I am told, says he thinks ‘Sinners’ would be a better film without the ‘supernatural element’. Yet this is the first film ever to understand the beauty of the mythology of the vampire in a way that matters. This blog tries to say why.

I think it must be being a film critic for I surely could not do a worst job than some! LOL. Or perhaps a comedian! Have you heard the one about the old man who in his youth survived a vampire attack that turned his friend into a vampire? One night in a bar, his … More I think it must be being a film critic for I surely could not do a worst job than some! LOL. Malcolm Bradshaw, the film critic for ‘The Guardian’, I am told, says he thinks ‘Sinners’ would be a better film without the ‘supernatural element’. Yet this is the first film ever to understand the beauty of the mythology of the vampire in a way that matters. This blog tries to say why.

‘Gladiator II’ is a turkey – not least because it goes to great lengths to avoid being a queer turkey!! The inheritance of heroic Roman Republican virtue, aptitude for bearing a sword, and heteronormativity in Ridley’s Rome.

‘Gladiator II’ is a turkey – not least because it goes to great lengths to avoid being a queer turkey!! The inheritance of heroic Roman Republican virtue, aptitude for bearing a sword, and heteronormativity in Ridley’s Rome. Posted on January 20, 2025 by stevendouglasblog Weighed down with excess swordplay in the best cine-poster for Gladiator II , Paul Mescal’s … More ‘Gladiator II’ is a turkey – not least because it goes to great lengths to avoid being a queer turkey!! The inheritance of heroic Roman Republican virtue, aptitude for bearing a sword, and heteronormativity in Ridley’s Rome.

Sequestered:  The art of self-discovery might be no more than facing up to being  locked-in with your own doubts & uncertainty . A reflection after seeing Edward Berger’s film Conclave.

Sequestered:  The art of self-discovery might be no more than facing up to being  locked-in with your own doubts & uncertainty . A reflection after seeing Edward Berger’s film Conclave. [The film is directed by Edward Berger and written by Peter Straughan, based on the 2016 novel by Robert Harris]. There is a truly impressive moment – … More Sequestered:  The art of self-discovery might be no more than facing up to being  locked-in with your own doubts & uncertainty . A reflection after seeing Edward Berger’s film Conclave.

Amy Liptrot says of the film based on her personal story, ‘The Outrun’, that it has transformed her life ‘into art, something bigger than me: ….. One of the themes … is the link between mental illness and addiction and the desire to reach for extremes. This film-making process has been another example of these extremes. I am amplified, cinematic, extra-real’. A blog on ‘The Outrun’.

Amy Liptrot in The Observer on the 22nd September says of the film based on her personal story, The Outrun, that it has transformed themes in her life ‘into art, something bigger than me: ….. One of the themes of The Outrun is the link between mental illness and addiction and the desire to reach for extremes. … More Amy Liptrot says of the film based on her personal story, ‘The Outrun’, that it has transformed her life ‘into art, something bigger than me: ….. One of the themes … is the link between mental illness and addiction and the desire to reach for extremes. This film-making process has been another example of these extremes. I am amplified, cinematic, extra-real’. A blog on ‘The Outrun’.