Each day I wish I could find the will to write things ‘technically harder’ than is the norm in order to give me significantly ‘better practice’ in writing. This blog examines as a case study Rupert Brooke’s one-act play: ‘Lithuania’ to show whether he could, as Maurice Bowra claims he wanted to in writing it, forefront ‘the expression of character, not of personal feeling, …’.

Each day I wish I could find the will to write things ‘technically harder’ than is the norm in order to give me significantly ‘better practice’ in writing. This blog examines as a case study Rupert Brooke’s one-act play: ‘Lithuania’ to show whether he could, as Maurice Bowra claims he wanted to in writing it, … More Each day I wish I could find the will to write things ‘technically harder’ than is the norm in order to give me significantly ‘better practice’ in writing. This blog examines as a case study Rupert Brooke’s one-act play: ‘Lithuania’ to show whether he could, as Maurice Bowra claims he wanted to in writing it, forefront ‘the expression of character, not of personal feeling, …’.