Did she want to be made ‘The Bride’? Yes, but not the Bride of anybody, including Frankenstein! Seeing ‘The Bride’ today.

Did she want to be made ‘The Bride’? Yes, but not the Bride of anybody, including Frankenstein! Seeing ‘The Bride’ today. By Warner Bros. Pictures – IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=81164420 It is the year of being wives of men famed in and for their art, and as often misrepresented from some supposed original, for Jessie … More Did she want to be made ‘The Bride’? Yes, but not the Bride of anybody, including Frankenstein! Seeing ‘The Bride’ today.

‘Dracula’: See excelled here Stoker’s themes of transit, including travel and flow between places and through spaces and times; transition of, and between, character and character traits, even Stoker’s obsession with masculinity and femininity in and between concepts of sex/ gender; and, of course, blood transfusion.

Dracula: See excelled here Stoker’s themes of transit, including travel and flow between places and through spaces and times; transition of, and between, character and character traits, even Stoker’s obsession with masculinity and femininity in and between concepts of sex/ gender; and, of course, blood transfusion. I had read, in my copy of The Guardian, … More ‘Dracula’: See excelled here Stoker’s themes of transit, including travel and flow between places and through spaces and times; transition of, and between, character and character traits, even Stoker’s obsession with masculinity and femininity in and between concepts of sex/ gender; and, of course, blood transfusion.

‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) ‘The Wolf of Whindale’, London, Serpent’s Tail.

‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) The Wolf of Whindale, London. Is it conceivable that, asked to choose an animal you like, you would choose one you consider yourself to be like. There is no certain link or even line of … More ‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) ‘The Wolf of Whindale’, London, Serpent’s Tail.

The fever of seeking recognition is at least one of the characteristics in the origin of the social, or aristocratic, vampire in literary myth. We could all do less fame-seeking! A case study based on John William Polidori’s life and writing, OR …

The fever of seeking recognition is at least one of the characteristics in the origin of the social, or aristocratic, vampire in literary myth. We could all do fame-seeking! A case study based on John William Polidori’s life and writing, [OR], ‘He watched him; and the very impossibility of forming an idea of the character … More The fever of seeking recognition is at least one of the characteristics in the origin of the social, or aristocratic, vampire in literary myth. We could all do less fame-seeking! A case study based on John William Polidori’s life and writing, OR …

This is a blog on  Benjamin Wood (2025) ‘Seascraper’.

‘Edgar’s almost shrouded by the white swell of the fog. … All of Longferry – the tall spires of the churches and the chimney-tops of the terraces receding to the lights of other towns – has been snuffed out’. I think no other modern novel I know about has such a sense of being near … More This is a blog on  Benjamin Wood (2025) ‘Seascraper’.

I think it must be being a film critic for I surely could not do a worst job than some! LOL. Malcolm Bradshaw, the film critic for ‘The Guardian’, I am told, says he thinks ‘Sinners’ would be a better film without the ‘supernatural element’. Yet this is the first film ever to understand the beauty of the mythology of the vampire in a way that matters. This blog tries to say why.

I think it must be being a film critic for I surely could not do a worst job than some! LOL. Or perhaps a comedian! Have you heard the one about the old man who in his youth survived a vampire attack that turned his friend into a vampire? One night in a bar, his … More I think it must be being a film critic for I surely could not do a worst job than some! LOL. Malcolm Bradshaw, the film critic for ‘The Guardian’, I am told, says he thinks ‘Sinners’ would be a better film without the ‘supernatural element’. Yet this is the first film ever to understand the beauty of the mythology of the vampire in a way that matters. This blog tries to say why.

‘Soon I will no longer be a shadow to you’. says Bill Skarsgård in an imagined thick ‘Transylvanian’ accent and within a dream fantasy to Ellen Hutter in Robert Eggers’ 2024 film ‘Nosferatu’. What’s added by the fleshly consummation of a vampire?

Philip Sledge pulls no punches quoting his own take on Robert Eggers new film Nosferatu (2024) in a MSN notice detailing the back catalogue of Nosferatu films [in one of which William Dafoe, playing the absurd Paracelsian vampire hunter Professor Alvin Eberhart von Franz in this film, played vampire Count Orlok himself] as “bloody, sexy, … More ‘Soon I will no longer be a shadow to you’. says Bill Skarsgård in an imagined thick ‘Transylvanian’ accent and within a dream fantasy to Ellen Hutter in Robert Eggers’ 2024 film ‘Nosferatu’. What’s added by the fleshly consummation of a vampire?