Tag: history

This is a blog about the role of the uniform in the construction of the object of queer desire in the contexts of the militarisation of social, political and psychosexual cultures based on reading Jeffrey Schneider (2023) ‘Uniform Fantasies: Soldiers, Sex, and Queer Emancipation in Imperial Germany’.

June 10, 2025

‘… uniforms did not just shape and display a disciplined male body but also guided and excited the gazing eye in particular ways’.[1] This is a blog about the role of the uniform in the construction of the object of queer desire in the contexts of the militarisation of social, political and psychosexual cultures based … More This is a blog about the role of the uniform in the construction of the object of queer desire in the contexts of the militarisation of social, political and psychosexual cultures based on reading Jeffrey Schneider (2023) ‘Uniform Fantasies: Soldiers, Sex, and Queer Emancipation in Imperial Germany’.

Children Processing the Hard Stuff in Dying County Durham Mining Communities

May 9, 2025

Geoff brought me a gift from his day volunteering at Oxfam to include in my mining books. It is a pamphlet published in 1990 by Durham Arts Association.  It charts encounters by a retired miner, of 40 years work down pits, who was dedicating the time released to his lifelong wanting to produce art with … More Children Processing the Hard Stuff in Dying County Durham Mining Communities

Communication between the diverse: the benefits of modelling conflictual consensus.

May 7, 2025

What do you do to be involved in the community? In an article by the American Public Power  Association [APPA], called ‘Dissecting the True Meaning of Community’, some things are said about unpacking the meaning of the word  ‘community’ from its origins as a word. I have no knowledge of the real politics of APPA, though … More Communication between the diverse: the benefits of modelling conflictual consensus.

Maybe the performance of difference need not involve ‘camping’!

April 29, 2025

This WordPress prompt ought to have been a gift to me – with a long history in LGBTQI+ politics, the word ‘camp’ has always had a history to reclaim. But to say ‘word’ in description of the term ‘camp’ here is not enough. I got stopped in my tracks from answering this question as I … More Maybe the performance of difference need not involve ‘camping’!

‘Only connect’ said E.M. Forster but what madness results. This blog reflects on Roland Barthes [trans. Richard Howard] (2000) ‘Camera Lucida: Reflections on Photography’.

April 28, 2025

‘Only connect’ said E.M. Forster but what madness results. Begin by making connections between these two photographs and then with them. Roland Barthes [trans. This blog reflects on Roland Barthes [trans. Richard Howard] (2000:3) Camera Lucida: Reflections on Photography, Vintage Press Edition. Connectivity was always a thing I valued – in the connection for instance … More ‘Only connect’ said E.M. Forster but what madness results. This blog reflects on Roland Barthes [trans. Richard Howard] (2000) ‘Camera Lucida: Reflections on Photography’.

Voting may not often change anything, but we have to hope it might.

April 25, 2025

The answer is YES. but neither person nor party can give any guarantee of fulfilling any intentions you had in voting for them, even if you had any intentions. Indirect democratic politics is a blunt tool that is barely even a record of popular opinion and few ruling parties receive a majority of votes in … More Voting may not often change anything, but we have to hope it might.

The Art of the Pit Head Bath. Tom McGuinness: metamorphic artist

April 16, 2025

The Art of the Pit Head Bath. Joanna Drew (Arts Council of Great Britain – ACGB), Douglas Gray (art selector & essayist), Norman Siddall (British National Coal Board – NCB), Sir William Rees-Mogg (ACGB) & Dr John Kanefsky (essaysist) (1982: page 81) Coal: British Mining in Art 1680 -1980, London, The Arts Council of Great … More The Art of the Pit Head Bath. Tom McGuinness: metamorphic artist

Do Roads answer questions? In honour of a great photographer, Chris Killip

April 5, 2025

As I was sorting out my books again, I came across a book I bought at the Laing (pronounced ‘Laine’) Gallery in Newcastle when I visited the wonderful permanent exhibition there. It’s a huge book – the size newspapers used to be and made of a similar kind of paper. But how do you look … More Do Roads answer questions? In honour of a great photographer, Chris Killip

‘For the Mesopotamians, truth was not contained ….’: was their culture such a one that norms existed alongside happily alongside their contradiction, and repression was unnecessary. This blog reflects on a first reading of Selena Wisnom [2025] ‘The Library of Ancient Wisdom: Mesopotamia and the Making of History’.

April 4, 2025

When Alexander Pope warned that ‘a little learning is a dangerous thing,’ he was warning that, since error lies everywhere, we need exposure to all the evidence that supports the one and only version of knowledge of the world that is the truth. The real danger is that there are so many statements that claim … More ‘For the Mesopotamians, truth was not contained ….’: was their culture such a one that norms existed alongside happily alongside their contradiction, and repression was unnecessary. This blog reflects on a first reading of Selena Wisnom [2025] ‘The Library of Ancient Wisdom: Mesopotamia and the Making of History’.

Thomas Haller’s resurrection is his ‘lilac renaissance, his violet hour’.

April 3, 2025

Fritz Schein lives entirely in, and on as his means of living, ‘the art world’ of ‘spectacularity’ – a world of apparently random images and appearances that eschews the privacy of inner reflection by being in love with the still surface of mirrors. When the ‘great recluse’ Thomas Haller turns up at a show Schein knows … More Thomas Haller’s resurrection is his ‘lilac renaissance, his violet hour’.

‘When I were five, I wore a plastic sword’: my child hero then, not Hugh MacDiarmid’s hero in his ‘Hymn to Lenin’ [but confused with Shakespeare’s ‘Richard III’ in my childish brain].

March 19, 2025

When I were five, I wore a plastic swordTo make my fantasy of Shakie’s ‘DickThe Turd’, heroic tho’ a villain, boredOf bowing to lesser kings, cringing sick-With-fancies sycophants to restrainingRealities. To change the sad bad worldEven then was my aim: rid of feigningWe would, I’d ensure it, red flag unfurledMake level those peaks of  false … More ‘When I were five, I wore a plastic sword’: my child hero then, not Hugh MacDiarmid’s hero in his ‘Hymn to Lenin’ [but confused with Shakespeare’s ‘Richard III’ in my childish brain].