In a historical novel, you can ‘meet’ people supposed in those fictions to be famous AND those who are or ‘were’ so in ‘real’ life simultaneously. In Neil Blakemore’s 2025 novel ‘Objects Of Desire’, the character named Christopher Isherwood says that people want fame: ‘So that they can become monsters and make others feel bad, and no one will dare challenge them’.

In a historical novel, you can ‘meet’ people supposed in those fictions to be famous AND those who are or ‘were’ so in ‘real’ life simultaneously. In Neil Blakemore’s 2025 novel Objects Of Desire, the character named Christopher Isherwood says that people want fame: ‘So that they can become monsters and make others feel bad, … More In a historical novel, you can ‘meet’ people supposed in those fictions to be famous AND those who are or ‘were’ so in ‘real’ life simultaneously. In Neil Blakemore’s 2025 novel ‘Objects Of Desire’, the character named Christopher Isherwood says that people want fame: ‘So that they can become monsters and make others feel bad, and no one will dare challenge them’.

A reader falls into Joelle Taylor’s fabulous ‘The Night Alphabet’.

‘Everything moves. Everything passes.  Threads tangle so easily, so completely. It is their nature to knot. …/…/ The truth is you must be everyone in a story to understand the story. …’.[1]  A reader who comes to The Night Alphabet looking for a linear story and quickly understood connections between the novel’s sub-narratives  (or some … More A reader falls into Joelle Taylor’s fabulous ‘The Night Alphabet’.