The fallacy of wanting to be, or imagining yourself being, for a restricted time, ‘someone else’ reveals why the silliest decision you will ever make is to ‘be yourself’.

The internet is full of quasi-psychology that is, whilst sometimes pretending to be folklore, about ‘being yourself, with a plethora of websites offering tips about how to be yourself. These tips rarely extend beyond recommended changes of behaviour or attitude to ‘self’, although they often include that time hallowed impossible injunction to ‘know yourself’. This … More The fallacy of wanting to be, or imagining yourself being, for a restricted time, ‘someone else’ reveals why the silliest decision you will ever make is to ‘be yourself’.

A week of Hamlets: [2] From some perspectives ‘Hamlet’ is a play about taking responsibility for your country.

A week of Hamlets: [2] From some perspectives ‘Hamlet’ is a play about taking responsibility for your country. Part 1 of this blog can be found at this link. Yesterday Geoff and I saw, after its first launch, the streamed version of the National Theatre’s most recent Hamlet from the Lyttleton Theatre. The choice of … More A week of Hamlets: [2] From some perspectives ‘Hamlet’ is a play about taking responsibility for your country.

A week of Hamlets: [1] To start, there is a tendency to see Shakespeare’s character Hamlet as a part nightmare dream version of one’s autobiography. Riz Ahmed has won the prize for the finest version of such projects.

A week of Hamlets: [1] To start, there is a tendency to see Shakespeare’s character Hamlet as a part nightmare dream version of one’s autobiography. Riz Ahmed has won the prize for the finest version of such projects. For a long time, literary critics have insisted that to see elements of the biographical in the … More A week of Hamlets: [1] To start, there is a tendency to see Shakespeare’s character Hamlet as a part nightmare dream version of one’s autobiography. Riz Ahmed has won the prize for the finest version of such projects.

‘If it be now, ’tis not to come; if it be not to come, it will be now; if it be not now, yet it will come. The readiness is all.’ Hamlet defines the time to designate ‘playtime’.

An man ready to play It always amazes how often one can turn to Shakespeare’s Hamlet for assistance in interpreting a WordPress prompt question. Play is a word used as a verb and a related noun and is used so in this question, with the links well established between noun and verb for Hamlet too … More ‘If it be now, ’tis not to come; if it be not to come, it will be now; if it be not now, yet it will come. The readiness is all.’ Hamlet defines the time to designate ‘playtime’.

Extra time. Isn’t that another way of invoking ‘…the respect / That makes calamity of so long life’.

Extra time. Isn’t that another way of invoking ‘…the respect / That makes calamity of so long life’. Asking himself whether he had rather ‘be’ or ‘not be’ (in short, die now by his own hand or continue living), Hamlet makes it clear that there is an angle (a ‘respect’) from which having ‘extra time’ would … More Extra time. Isn’t that another way of invoking ‘…the respect / That makes calamity of so long life’.

Innocence is not the condition of childhood- rather it is inability to control the heart or stop it from being overwhelmed. This blog is an attempt to prepare myself to see a revival of Chekhov’s ‘The Seagull’ at The Lyceum Theatre, Edinburgh on Wednesday 29th October at 2.30 p.m.

Innocence is not the condition of childhood- rather it is inability to control the heart or stop it from being overwhelmed. This truth is embedded in the reflexive nature of Chekhov’s great play The Sea-Gull. In Act IV of The Sea-Gull, we hear of the stage in a country estate’s garden that in Act I … More Innocence is not the condition of childhood- rather it is inability to control the heart or stop it from being overwhelmed. This blog is an attempt to prepare myself to see a revival of Chekhov’s ‘The Seagull’ at The Lyceum Theatre, Edinburgh on Wednesday 29th October at 2.30 p.m.

‘born to set it right!’. Genetics, Destiny and Duty for all time in ‘Hamlet’

Act 1 Scene 5 is pivotal in Shakespeare’s play Hamlet for the eponymous character and the progress of the play’s plot itself, partly because it makes clear that the character of Hamlet is the substance of the plot of Hamlet as a play. If plot distributes the actions that take place in a play, those … More ‘born to set it right!’. Genetics, Destiny and Duty for all time in ‘Hamlet’

If mine own self contains multiples then night does not follow day, they are simultaneous and not necessarily in contest.

The idea that the surest thing on earth is that night follows day in indubitable sequence is so often invoked that it is the stock-in-trade of politicians, especially those involved of the hubris of building and defending nation states within expanding imperial boundaries and in the belief that might is right: note the words of … More If mine own self contains multiples then night does not follow day, they are simultaneous and not necessarily in contest.

… to sleep, / To Sleep: perchance to dream: ay, there’s the rub! (‘Hamlet’, Act 3, Scene 1, lines 72 – 73) – and a prompt question!

What part of your routine do you always try to skip if you can? … to sleep, / To Sleep: perchance to dream: ay, there’s the rub! Hamlet Act 3, Scene 1, lines 72 – 73). [1] Iris Murdoch had long before written her wonderful novel based on the model of Hamlet, The Black Prince, … More … to sleep, / To Sleep: perchance to dream: ay, there’s the rub! (‘Hamlet’, Act 3, Scene 1, lines 72 – 73) – and a prompt question!