Is a day being a mythical version of someone else, worth the crashing out afterwards? “Jackie is just speedin’ away / Thought she was James Dean for a day / Then I guess she had to crash / Valium would have helped that bash”.

Is a day being a mythical version of someone else, worth the crashing out afterwards? “Jackie is just speedin’ away / Thought she was James Dean for a day / Then I guess she had to crash / Valium would have helped that bash”. It feels easier for me to say why not I would … More Is a day being a mythical version of someone else, worth the crashing out afterwards? “Jackie is just speedin’ away / Thought she was James Dean for a day / Then I guess she had to crash / Valium would have helped that bash”.

The ‘gnomic aperçu’ seemed once to be the quest of the literary academy. John Banville tells us that apparent words of arcane wisdom often turn out to be ‘academic writing at its most convoluted, most resistant and most sterile, the deathless products of the publish-or-perish academic treadmill’. [1]

It seems odd to take as the text behind a blog not a great work reviewed but the review itself. Nevertheless today I do just this. John Banville is a great reviewer – the grim and rather schoolmasterly distaste for orthodoxy in which he specialises makes him a resistible public speaker but a novelist of … More The ‘gnomic aperçu’ seemed once to be the quest of the literary academy. John Banville tells us that apparent words of arcane wisdom often turn out to be ‘academic writing at its most convoluted, most resistant and most sterile, the deathless products of the publish-or-perish academic treadmill’. [1]

A reader falls into Joelle Taylor’s fabulous ‘The Night Alphabet’.

‘Everything moves. Everything passes.  Threads tangle so easily, so completely. It is their nature to knot. …/…/ The truth is you must be everyone in a story to understand the story. …’.[1]  A reader who comes to The Night Alphabet looking for a linear story and quickly understood connections between the novel’s sub-narratives  (or some … More A reader falls into Joelle Taylor’s fabulous ‘The Night Alphabet’.

‘EAT YOUR OWN HOUSE, WITCH! I don’t even like candy, darling! (But Candy Darling is another matter entirely) : “Hey, sugar / Take a walk on the wild side”

Now here’s a blog prompt that I never ever thought I would answer. My usual recourse to etymology to find a nuance in the question has already reached a block. In the UK we use the term ‘candy’, only because we see and hear the word in USA cultural imports, The UK word for candy … More ‘EAT YOUR OWN HOUSE, WITCH! I don’t even like candy, darling! (But Candy Darling is another matter entirely) : “Hey, sugar / Take a walk on the wild side”

Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador.

First published in Open university blog Tuesday, 10 July 2018, 15:06 Visible to anyone in the world Edited by Steve Bamlett, Wednesday, 11 July 2018, 07:42 Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador. I read every word of Tim Winton as it falls (in the UK) from the press. … More Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador.

Of a ‘chert the size of an olive pit’, that travels with the narrator through the spaces and times of the novel ‘Juice’ [2024] by Tim Winton, the narrator says that ‘… a stone is an expression of the earth, a signal of time. … but its journey isn’t over, and neither is its destiny fixed’. In the dystopia imagined by Tim Winton whether destiny is fixed or not at any point in the globe’s political and environmental history is the central ethical problem of the novel.

Of a ‘chert the size of an olive pit’, that travels with the narrator through the spaces and times of the novel Juice [2024] by Tim Winton, the narrator says that ‘… a stone is an expression of the earth, a signal of time. But it’s also a relic of experience. A thing propelled into the world. … More Of a ‘chert the size of an olive pit’, that travels with the narrator through the spaces and times of the novel ‘Juice’ [2024] by Tim Winton, the narrator says that ‘… a stone is an expression of the earth, a signal of time. … but its journey isn’t over, and neither is its destiny fixed’. In the dystopia imagined by Tim Winton whether destiny is fixed or not at any point in the globe’s political and environmental history is the central ethical problem of the novel.

Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are) that can only be changed by getting out from ‘under the net’ of a web of false relationships. This blog contains some thoughts on reading a play I had neglected by the great novelist.

Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are – as Bradley Pearson and Hamlet are in The Black Prince and Hamlet respectively and both together in the first) that can only be changed by getting out from under the net of a … More Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are) that can only be changed by getting out from ‘under the net’ of a web of false relationships. This blog contains some thoughts on reading a play I had neglected by the great novelist.

Is thinking differently, doing something differently? Or is thought a means of doing nothing? ‘We are all of us born in moral stupidity, taking the world as an udder to feed our supreme selves’ says George Eliot magisterially with perhaps this issue in mind. If we are born thus, the emergence of independent moral understanding is painful as a result, for in that emergence we begin to know the otherness of others beneath the barriers set by our thick skins. (Cue George Eliot’s ‘Middlemarch’ from the end of Book 1, Chapter XXI).

Is thinking differently, doing something differently? Or is thought a means of doing nothing? Can thinking become its own object rather an an eternally self-reflecting subject seeing itself repeated infinitely in a Hall of Mirrors. A Yayoi Kusama Infinity Mirror Room. ‘We are all of us born in moral stupidity, taking the world as an … More Is thinking differently, doing something differently? Or is thought a means of doing nothing? ‘We are all of us born in moral stupidity, taking the world as an udder to feed our supreme selves’ says George Eliot magisterially with perhaps this issue in mind. If we are born thus, the emergence of independent moral understanding is painful as a result, for in that emergence we begin to know the otherness of others beneath the barriers set by our thick skins. (Cue George Eliot’s ‘Middlemarch’ from the end of Book 1, Chapter XXI).

‘Stop saying words, my sister whispered back. I want to hear the story’. This is a blog  on Ali Smith (2024) ‘Gliff ‘.

‘Stop saying words, my sister whispered back. I want to hear the story’.[1] The paradox may be that we express our identity in words and names not in the process of telling and hearing our stories. I think Ali Smith thinks that may be true of the configuration of sex/gender too. This is a blog  … More ‘Stop saying words, my sister whispered back. I want to hear the story’. This is a blog  on Ali Smith (2024) ‘Gliff ‘.

If mine own self contains multiples then night does not follow day, they are simultaneous and not necessarily in contest.

The idea that the surest thing on earth is that night follows day in indubitable sequence is so often invoked that it is the stock-in-trade of politicians, especially those involved of the hubris of building and defending nation states within expanding imperial boundaries and in the belief that might is right: note the words of … More If mine own self contains multiples then night does not follow day, they are simultaneous and not necessarily in contest.

This blog ponders on the latest John Banville crime novel:  John Banville (2024) ‘The Drowned’ London, Faber.

Do we guess when Detective St. John Strafford’s consciousness notices that there ‘was something odd about him today’  with regard a long standing character in the Quirke stories by Benjamin Black and the Quirke and Strafford stories of John Banville, Chief Inspector John Hackett,  that Hackett is about to depart his place in the series … More This blog ponders on the latest John Banville crime novel:  John Banville (2024) ‘The Drowned’ London, Faber.

Thoughts Before my Seventieth Birthday on Thursday 24th October 2024: An Acrostic: ‘Does Steven Fear Being Seventy‘

Thoughts Before my Seventieth Birthday on Thursday 24th October 2024: An Acrostic: ‘Does Steven Fear Being Seventy‘ Do larks ascending raise up such volumeOf song as the rich racket in his heartEach time Steven’s shaken with sonic boomSome tolling bells of time, seem to shock-start;Surprised, that such a sage and serious Timorous soul has reached an … More Thoughts Before my Seventieth Birthday on Thursday 24th October 2024: An Acrostic: ‘Does Steven Fear Being Seventy‘