“Working families, small communities, traditional British industries and jobs. We used to value these things”.[1]Sometimes we wonder if this was said by a fictional columnist or own present prime Minister (and I won’t answer ‘whether I have a problem with our prime minister’: Natasha Brown meant Rishi Sunak; I, of course, mean Sir Keir Starmer’s … More This is a blog on Natasha Brown (2025) ‘Universality’.
Is the idea that psychosocial or other roles are ‘parts’ played upon the stage a tired metaphor (from the too-often quoted lines of Shakespeare’s jester, Jacques, from As You Like It: ‘All the world’s a stage, …’). Why might modern novels then take up that idea again, other than to keep saying and showing the … More This is a blog on Katie Kitamura (2025) ‘Audition’.
‘”What d’you mean?” / “What do you mean what do I mean?”‘[1] Do we ever know what a person ‘means’? Is that the issue in David Szalay’s 2025 Booker-longlisted novel ‘Flesh‘. Male novelists, with a deserved reputation for being interested in the nature of contemporary constructions of masculinity like David Szalay are perhaps too vulnerable … More ‘”What d’you mean?” / “What do you mean what do I mean?”‘ Do we ever know what a person ‘means’? Is that the issue in David Szalay’s 2025 Booker-longlisted novel ‘Flesh’.
The job of the novel is not only to tell a story but to edit it to fit some kind of purpose that is its raison d’être. Yet simultaneously questioning its own purpose has also been a feature of the novel since its inception in the best novelists. In a recent example from those written … More New directions in the queer novel. In a recent example from those written by the ‘best novelists’ of our time, William Rayfet Hunter’s debut novel ‘Sunstruck’ (2025), the story is often about the dual function of telling stories in society.
Let’s answer this prompt as if Thomas Mann were justifying his last novel: the ultimate ‘game’ – of confidence tricks and roleplay. In a diary entry from 25th November 1950, Thomas Mann calls his final and unfinished picaresque novel Felix Krull ‘my homosexual novel’. Yet the case for seeing it as that perhaps reduces to … More Let’s answer this prompt as if Thomas Mann were justifying his last novel: the ultimate game – of confidence tricks and roleplay. This blog holds my thoughts on Thomas Mann (trans. Denver Lindley) [1997 Minerva Paperback from ed. of 1954] ‘Confessions of Felix Krull, Confidence Man: Memoirs Part 1’.
A great novel always takes the trouble to ‘bother me’. The example of Colum McCann (2025) ‘Twist’. In it the narrator talks about his own ‘bother’ about his writing and trying to keep it focused. ‘Tell me about a complicated man, how he wandered and was lost. The story would drift away from repair, which … More A great novel always takes the trouble to ‘bother me’. The example of Colum McCann (2025) ‘Twist’.
‘For our family and others like us, separation is an expression of love. Not just in the physical sense, but in the way we think’. [1] The obsession with a certain interpretation of attachment theory in Western culture was always in practice racist and a simplification of human neuro-flexibility. This blog is a reflection on … More ‘For our family and others like us, separation is an expression of love. Not just in the physical sense, but in the way we think’. This blog is a reflection on distance in memoirs after reading Tash Aw (2021) ‘Strangers on A Pier: Portrait of A Family’.
The illustration – by Liz Zonarich/Harvard Staff – is from the Harvard Gazette article cited below, but to give up a book because it makes you uncomfortable may not be to ‘bin’ it but just re-shelve it in your mind (source: https://content.news.harvard.edu/gazette/story/2024/10/when-to-quit-a-book/ ). After all the bin in the illustration has a l;ong shadow – … More Is giving up on a challenge a strategy that ever brings comfort? An example from my reading.
‘… the name dear me the name was the same it was Rose and under Rose was Willy and under Willy was Billie. / It made Rose feel very funny it really did’. [0] The Ethics of name-dropping and innuendo finding in Gertrude Stein’s (1939) The World Is Round London, B.T. Batsford Ltd. I have … More ‘… the name dear me the name was the same it was Rose and under Rose was Willy and under Willy was Billie. / It made Rose feel very funny it really did’. The propriety and ethics of name-dropping (and innuendo finding) in Gertrude Stein’s (1939) ‘The World Is Round’ London, B.T. Batsford Ltd.
‘The linoleum, too, … is blue. So blue you’ll have the feeling of being swept away because you are, into a current of corridors intentionally too narrow to turn around in’.[1] Queer writers have so long challenged the false universals of heteronormative stability, and perhaps privileged the discourse of sexual interaction as a panacea for … More I am passionate about the role of reading and the redemption of material life it carries with it. This is a blog on Ocean Vuong (2025) ‘The Emperor of Gladness’
‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’. [1] This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’. Some people, and Joanne is one of … More ‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’. This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’.
‘It was all unfinished and most likely it always would be’. Open, Heaven, which despite having many endings is also truly an unending story, asks us how much we really want our loves to remain open rather than closed to future promise: that ‘life of constant negotiation, movement, agony, bliss’ And we desire this perhaps … More This blog is a reflective take on Seán Hewitt’s 2025 novel ‘Open, Heaven’ New York, Alfred A. Knopf.
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