Tag: fiction

There has never been a greater need to critique the assumption that ‘our world has changed’, than when it is used ‘to justify massive expenditure on the weapons industry again to keep us safe in the new era, the doorway, or threshold, of which is already blocked up with the brand new dead’. It’s always on our ‘to-do list’ but ‘never get’s done’. This is a blog on the urgent new (2026) novel by Ali Smith, ‘Glyph’.

February 4, 2026

There has never been a greater need to critique the assumption that ‘our world has changed’, than when it is used ‘to justify massive expenditure on the weapons industry again to keep us safe in the new era, the doorway, or threshold, of which is already blocked up with the brand new dead’.[1]  It’s always … More There has never been a greater need to critique the assumption that ‘our world has changed’, than when it is used ‘to justify massive expenditure on the weapons industry again to keep us safe in the new era, the doorway, or threshold, of which is already blocked up with the brand new dead’. It’s always on our ‘to-do list’ but ‘never get’s done’. This is a blog on the urgent new (2026) novel by Ali Smith, ‘Glyph’.

Feel the Fear but do it anyway! Confront ‘Femme-Couteau’: Louise Bourgeois on the ‘bad’, ‘good’ and ‘good-enough’ mother.

January 31, 2026

Yesterday I put online an admiring blog on the new (well!, newly translated to be accurate) biography of Louise Bourgeois (see it at this link) which in this translation is entitled Knife-Woman: The Life of Louise Bourgeois. There is no photograph of the artwork referenced by the title (‘Femme-Couteau’) which is meant to connote knfe … More Feel the Fear but do it anyway! Confront ‘Femme-Couteau’: Louise Bourgeois on the ‘bad’, ‘good’ and ‘good-enough’ mother.

Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’.

January 30, 2026

Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’. New Haven & London, … More Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’.

‘I’m not sure how I ended up here … and I see only blocks of text that are unclear like each word is fused into the next …’. Reading is an aspiration towards a communion.

January 24, 2026

Have you ever felt that so much depended on a reading of what is in front of you? I have just made a first reading – fast and furious – through the proof text of a novel not due for publication until, I think, September 2026, Derek Owusu’s The Recovery House, which will be published … More ‘I’m not sure how I ended up here … and I see only blocks of text that are unclear like each word is fused into the next …’. Reading is an aspiration towards a communion.

Is there a rationale or purpose for a queer reading of Benjamin Britten’s operatic drama, ‘Peter Grimes’?

January 20, 2026

Worthwhile modern readings which root Peter Grimes in the experience of Benjamin Britten as a queer man may be available, although I think Phillip Brett’s Cambridge monograph on the opera may have served as a last word on why it both requires that perspective and why it is insufficient to provide a satisfactory reading on its … More Is there a rationale or purpose for a queer reading of Benjamin Britten’s operatic drama, ‘Peter Grimes’?

‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) ‘The Wolf of Whindale’, London, Serpent’s Tail.

January 15, 2026

‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) The Wolf of Whindale, London. Is it conceivable that, asked to choose an animal you like, you would choose one you consider yourself to be like. There is no certain link or even line of … More ‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) ‘The Wolf of Whindale’, London, Serpent’s Tail.

You can’t breathe? Let me sell you some ‘air’. You have no money. That means you have no ‘demand’ for our air supply effectively. Can I sell your relatives a funeral?

January 7, 2026

Our ideas of what might be sold at a cost that allows for profit to its investors, rather than just payment for the technicians that discover and refine it from sources, has been deeply influenced by water. Consider this blog post (full post linked here) which posits that some people already pay to breathe air, … More You can’t breathe? Let me sell you some ‘air’. You have no money. That means you have no ‘demand’ for our air supply effectively. Can I sell your relatives a funeral?

Despite the literary establishment, biography can be done differently. Reflections on James Campbell (1991) ‘Talking at the Gates: A Life of James Baldwin’.

January 6, 2026

The white literary establishment once considered itself to be colour-blind, dealing equally with all writing free of categories such as ‘Black writing’, as distinguished from ‘White writing’, neither of which this establishment considered valid categorisations of the written literary text. For a literary biographer however it may be possible to tell the story of black … More Despite the literary establishment, biography can be done differently. Reflections on James Campbell (1991) ‘Talking at the Gates: A Life of James Baldwin’.

You get to build your perfect space for reading and writing. What’s it like? I think that for me the only answer I could supply would be that I should build a space that breaks down the boundaries we build around us to define our interior, even between reader and writer. This blog uses as a case study Timothy O’Grady (2025) ‘Monaghan’.

December 27, 2025

You get to build your perfect space for reading and writing. What’s it like? I think that for me the only answer I could supply would be that I should build a space that breaks down the boundaries we build around us to define our interior. Talking about his inspiration in writing To Anthony Cummins … More You get to build your perfect space for reading and writing. What’s it like? I think that for me the only answer I could supply would be that I should build a space that breaks down the boundaries we build around us to define our interior, even between reader and writer. This blog uses as a case study Timothy O’Grady (2025) ‘Monaghan’.

Ian McEwan states in his novel’s title a concern with ‘What We Can Know’. Clearly, this concern with the nature and limits of knowledge is central to the conduct of history including predictive history, biography and the study of the art or even counterfactual forms of those things. However, the epigram of this novel, taken from the biographer Richard Holmes, implies that biography embodies ‘human truths poised between fact and fiction’ themselves which requires the question of ‘what we can know’ but also goes on to ask ‘what we can believe, and finally what we can love’.

December 11, 2025

Ian McEwan states in his novel’s title a concern with What We Can Know. Clearly, this concern with the nature and limits of knowledge is central to the conduct of history including predictive history, biography and the study of the art or even counterfactual forms of those things. However, the epigram of this novel, taken … More Ian McEwan states in his novel’s title a concern with ‘What We Can Know’. Clearly, this concern with the nature and limits of knowledge is central to the conduct of history including predictive history, biography and the study of the art or even counterfactual forms of those things. However, the epigram of this novel, taken from the biographer Richard Holmes, implies that biography embodies ‘human truths poised between fact and fiction’ themselves which requires the question of ‘what we can know’ but also goes on to ask ‘what we can believe, and finally what we can love’.

‘For a long time, the mother thought life-changing moments were momentous. Entirely unambiguous’. This blog is a reflection of Bryan Washington (2025) ‘Palaver’ New York, Farrar, Straus & Giroux.

November 28, 2025

‘For a long time, the mother thought life-changing moments were momentous. Entirely unambiguous’.[1]  This beautiful, moving and comic line from Bryan Washington’s Palaver rhymes with one of his chosen epigrams for the novel by Akira the Hustler (ハスラーアキラ, Hasurā Akira) : ‘Our days are demarcated in the repetition of little goodbyes’. Prompt questions are so encouraging of … More ‘For a long time, the mother thought life-changing moments were momentous. Entirely unambiguous’. This blog is a reflection of Bryan Washington (2025) ‘Palaver’ New York, Farrar, Straus & Giroux.