Let’s say my favourite ‘historical character’ is a mixture of Pedro Almodóvar and Jacques Lacan, who are both ambivalent about mirrors. This blog reflects on stories in Pedro Almodóvar (2025) ‘The Last Dream’

Let’s say my favourite ‘historical character’ is a mixture Pedro Almodóvar and Jacques Lacan, who are both ambivalent about mirrors. This blog reflects on stories in Pedro Almodóvar (2025) The Last Dream (translated by Frank Wynne) Harvill Secker London (Penguin, Random House). This blog has to be a bit circumspect about the concept of the … More Let’s say my favourite ‘historical character’ is a mixture of Pedro Almodóvar and Jacques Lacan, who are both ambivalent about mirrors. This blog reflects on stories in Pedro Almodóvar (2025) ‘The Last Dream’

‘… the name dear me the name was the same it was Rose and under Rose was Willy and under Willy was Billie. / It made Rose feel very funny it really did’. The propriety and ethics of name-dropping (and innuendo finding) in Gertrude Stein’s (1939) ‘The World Is Round’ London, B.T. Batsford Ltd.

‘… the name dear me the name was the same it was Rose and under Rose was Willy and under Willy was Billie. / It made Rose feel very funny it really did’. [0] The Ethics of name-dropping and innuendo finding in Gertrude Stein’s (1939) The World Is Round London, B.T. Batsford Ltd. I have … More ‘… the name dear me the name was the same it was Rose and under Rose was Willy and under Willy was Billie. / It made Rose feel very funny it really did’. The propriety and ethics of name-dropping (and innuendo finding) in Gertrude Stein’s (1939) ‘The World Is Round’ London, B.T. Batsford Ltd.

The problems of expression with exactitude: how to start thinking about Gertrude Stein as a meta-writer [a writer who writes mainly about the nature of writing].

Describe your dream chocolate bar. Used as an adjective here, the word ‘dream’ is usually thought to have the equivalent meaning as, to some extent, clearer adjectives like ‘perfect’ or ‘ideal’, but the force of the meaning of the noun persists, which describes an event that occurs entirely within the person, and with the same … More The problems of expression with exactitude: how to start thinking about Gertrude Stein as a meta-writer [a writer who writes mainly about the nature of writing].

I am passionate about the role of reading and the redemption of material life it carries with it. This is a blog on Ocean Vuong (2025) ‘The Emperor of Gladness’

‘The linoleum, too, … is blue. So blue you’ll have the feeling  of being swept away because you are, into a current of corridors intentionally too narrow to turn around in’.[1] Queer writers have so long challenged the false universals of heteronormative stability, and perhaps privileged the discourse of sexual interaction as a panacea  for … More I am passionate about the role of reading and the redemption of material life it carries with it. This is a blog on Ocean Vuong (2025) ‘The Emperor of Gladness’

This is a blog about the role of the uniform in the construction of the object of queer desire in the contexts of the militarisation of social, political and psychosexual cultures based on reading Jeffrey Schneider (2023) ‘Uniform Fantasies: Soldiers, Sex, and Queer Emancipation in Imperial Germany’.

‘… uniforms did not just shape and display a disciplined male body but also guided and excited the gazing eye in particular ways’.[1] This is a blog about the role of the uniform in the construction of the object of queer desire in the contexts of the militarisation of social, political and psychosexual cultures based … More This is a blog about the role of the uniform in the construction of the object of queer desire in the contexts of the militarisation of social, political and psychosexual cultures based on reading Jeffrey Schneider (2023) ‘Uniform Fantasies: Soldiers, Sex, and Queer Emancipation in Imperial Germany’.

The one thing I cannot live without is art – however raw its raw materials. Uncluttering the classic stage: Lear, a production of The National Theatre of Scotland at the Traverse Theatre seen 2.30-3.30 p.m. Saturday 7th June 2025.

The one thing I cannot live without is theatre – however raw its raw materials. Uncluttering the classic stage: ‘Lear’, a production of The National Theatre of Scotland at the Traverse Theatre seen 2.30-3.30 p.m. Saturday 7th June 2025. Bcck in the old days at Honley Grammar School, my friend Ann will remember that we … More The one thing I cannot live without is art – however raw its raw materials. Uncluttering the classic stage: Lear, a production of The National Theatre of Scotland at the Traverse Theatre seen 2.30-3.30 p.m. Saturday 7th June 2025.

‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’. This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’.

‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’.  [1] This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’. Some people, and Joanne is one of … More ‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’. This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’.

This blog is a reflective take on Seán Hewitt’s 2025 novel ‘Open, Heaven’ New York, Alfred A. Knopf.

‘It was  all unfinished and most likely it always would be’. Open, Heaven, which despite having many endings is also truly an unending story, asks us how much we really want our loves to remain open rather than closed to future promise: that ‘life of constant negotiation, movement, agony, bliss’ And we desire this perhaps … More This blog is a reflective take on Seán Hewitt’s 2025 novel ‘Open, Heaven’ New York, Alfred A. Knopf.

Heather Christle‘s (2025)  ‘In The Rhododendrons’: thank you Kaveh Akbar for your recommendation on the book’s jacket that made me buy this. You have great friends.

In Heather Christle‘s (2025)  In The Rhododendrons many people (with effects of pleasure and pain or hope and despair) continually strike ‘the same pose’ that made images of a possible past recur. Christle tells us that is what family albums do, but that recurrence or repetition within them can, and perhaps should,  be perceived ‘differently’. … More Heather Christle‘s (2025)  ‘In The Rhododendrons’: thank you Kaveh Akbar for your recommendation on the book’s jacket that made me buy this. You have great friends.

Putting Love and Death on the screen in the context of the greatest of the dead Masters. A tentative new beginning with WordPress blogs.

I am returning to WordPress blogging after a break, including a short break in Amsterdam, which I will no doubt make many blogs about in the near future. But I, like the wedding guest in Samuel Taylor Coleridge’s poem The Rime of the Ancient Mariner, felt that my taking leave of WordPress was not unlike … More Putting Love and Death on the screen in the context of the greatest of the dead Masters. A tentative new beginning with WordPress blogs.

Children Processing the Hard Stuff in Dying County Durham Mining Communities

Geoff brought me a gift from his day volunteering at Oxfam to include in my mining books. It is a pamphlet published in 1990 by Durham Arts Association.  It charts encounters by a retired miner, of 40 years work down pits, who was dedicating the time released to his lifelong wanting to produce art with … More Children Processing the Hard Stuff in Dying County Durham Mining Communities

‘But there is no sign of the boy.’ The coming to age of a queer boy told in the third person captures the alienation possible in that experience but that may be all it seeks to show! This is a blog on Michael Amherst (2025) ‘The Boyhood of Cain’.

‘But there is no sign of the boy.’ The coming to age of a queer boy told in the third person captures the alienation possible in that experience but that may be all it seeks to show! This is a blog on Michael Amherst (2025) The Boyhood of Cain London, Faber & Faber. I sighed … More ‘But there is no sign of the boy.’ The coming to age of a queer boy told in the third person captures the alienation possible in that experience but that may be all it seeks to show! This is a blog on Michael Amherst (2025) ‘The Boyhood of Cain’.