‘Edgar’s almost shrouded by the white swell of the fog. … All of Longferry – the tall spires of the churches and the chimney-tops of the terraces receding to the lights of other towns – has been snuffed out’. I think no other modern novel I know about has such a sense of being near … More This is a blog on Benjamin Wood (2025) ‘Seascraper’.
The Edinburgh Book Festival may be anybody’s kicking post for at least some of the time. For years, it was supported financially by Baillie Gifford with known assets in some very illiberal regimes and ethically if not legally (as far as we know) shady practices. That tie now severed, the right wing press led by … More On the Edinburgh book festival: why I still go and on whether I should keep going.
“Working families, small communities, traditional British industries and jobs. We used to value these things”.[1]Sometimes we wonder if this was said by a fictional columnist or own present prime Minister (and I won’t answer ‘whether I have a problem with our prime minister’: Natasha Brown meant Rishi Sunak; I, of course, mean Sir Keir Starmer’s … More This is a blog on Natasha Brown (2025) ‘Universality’.
The word ‘carry’ derives originally from the idea not on the personal capacity to bear something along with you on a journey but on the use of a ‘vehicle’ (‘from Latin “carrum” originally “two-wheeled Celtic war chariot), although the Celtic use itself bears the more difficult to reconcile association of “run”. Maybe the later etymology makes it … More To carry is a moral task (not least because it demands nuanced and mature ethical grasp). Let’s hope I can be worthy of it in my remaining years.
Is the idea that psychosocial or other roles are ‘parts’ played upon the stage a tired metaphor (from the too-often quoted lines of Shakespeare’s jester, Jacques, from As You Like It: ‘All the world’s a stage, …’). Why might modern novels then take up that idea again, other than to keep saying and showing the … More This is a blog on Katie Kitamura (2025) ‘Audition’.
The Electra suite of the Tyneside cinema at 1.10 p.m. on Friday 25th July The events of Friday 25th July are a fitting image of an ‘alternate universe’, so I’ll describe those. I had planned to see a new film, one just released in the UK at least,Sam Sahid’s biographical and art documentary of the … More An alternate universe is, for me, sitting in a cinema that is entirely empty but for your presence, waiting to see the end of a film that keeps freezing at the same place. Getting to see ‘The Hidden Master: George Platt Lynes’ less alternatively at home on DVD.
‘”What d’you mean?” / “What do you mean what do I mean?”‘[1] Do we ever know what a person ‘means’? Is that the issue in David Szalay’s 2025 Booker-longlisted novel ‘Flesh‘. Male novelists, with a deserved reputation for being interested in the nature of contemporary constructions of masculinity like David Szalay are perhaps too vulnerable … More ‘”What d’you mean?” / “What do you mean what do I mean?”‘ Do we ever know what a person ‘means’? Is that the issue in David Szalay’s 2025 Booker-longlisted novel ‘Flesh’.
‘ … when what’s healthy and joyful is hidden, you never learn to tell the good and bad apart’.[1]Institutions, and the Irish Roman Catholic Church is one such, often control what we are allowed to see or witness and what we are allowed to remember or record of our witness of events (what we have … More ‘ … when what’s healthy and joyful is hidden, you never learn to tell the good and bad apart’. This is a blog about Niamh Ní Mhaoilcoin (2025) ‘Ordinary Saints’
From a film made to support schools teaching the poem Give by the BBC. See: https://www.bbc.co.uk/teach/class-clips-video/articles/znd7t39 I happened upon a word on a wallThat said just ‘Give’: Give what? I thought, I giveEnough in taxes, in support of those Who claim to suffer more than me. Who knows?If someone could write on walls can’t they … More What act suffices as an ‘act of kindness’? Or is that the wrong question? This is a blog that is partially about Simon Armitage’s ‘Give’, first published in a collection in ‘Dead Sea Poems’ (1995).
The following sonnet uses all the rhymes (nearly) and much of the iambic line of metre that still work with modern pronunciation of the words – dignity for instance just won’t make sense today if pronounced ‘dignit-eye’ – from William Shakespeare’s ‘Sonnet 94: They that have power to hurt and will do none‘ (see it … More A sonnet ‘stolen’ from Shakespeare: Mine is called ‘You with such power in sight, see nothing’.
The job of the novel is not only to tell a story but to edit it to fit some kind of purpose that is its raison d’être. Yet simultaneously questioning its own purpose has also been a feature of the novel since its inception in the best novelists. In a recent example from those written … More New directions in the queer novel. In a recent example from those written by the ‘best novelists’ of our time, William Rayfet Hunter’s debut novel ‘Sunstruck’ (2025), the story is often about the dual function of telling stories in society.
Let’s answer this prompt as if Thomas Mann were justifying his last novel: the ultimate ‘game’ – of confidence tricks and roleplay. In a diary entry from 25th November 1950, Thomas Mann calls his final and unfinished picaresque novel Felix Krull ‘my homosexual novel’. Yet the case for seeing it as that perhaps reduces to … More Let’s answer this prompt as if Thomas Mann were justifying his last novel: the ultimate game – of confidence tricks and roleplay. This blog holds my thoughts on Thomas Mann (trans. Denver Lindley) [1997 Minerva Paperback from ed. of 1954] ‘Confessions of Felix Krull, Confidence Man: Memoirs Part 1’.
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