I am passionate about the role of reading and the redemption of material life it carries with it. This is a blog on Ocean Vuong (2025) ‘The Emperor of Gladness’

‘The linoleum, too, … is blue. So blue you’ll have the feeling  of being swept away because you are, into a current of corridors intentionally too narrow to turn around in’.[1] Queer writers have so long challenged the false universals of heteronormative stability, and perhaps privileged the discourse of sexual interaction as a panacea  for … More I am passionate about the role of reading and the redemption of material life it carries with it. This is a blog on Ocean Vuong (2025) ‘The Emperor of Gladness’

This is a blog about the role of the uniform in the construction of the object of queer desire in the contexts of the militarisation of social, political and psychosexual cultures based on reading Jeffrey Schneider (2023) ‘Uniform Fantasies: Soldiers, Sex, and Queer Emancipation in Imperial Germany’.

‘… uniforms did not just shape and display a disciplined male body but also guided and excited the gazing eye in particular ways’.[1] This is a blog about the role of the uniform in the construction of the object of queer desire in the contexts of the militarisation of social, political and psychosexual cultures based … More This is a blog about the role of the uniform in the construction of the object of queer desire in the contexts of the militarisation of social, political and psychosexual cultures based on reading Jeffrey Schneider (2023) ‘Uniform Fantasies: Soldiers, Sex, and Queer Emancipation in Imperial Germany’.

The one thing I cannot live without is art – however raw its raw materials. Uncluttering the classic stage: Lear, a production of The National Theatre of Scotland at the Traverse Theatre seen 2.30-3.30 p.m. Saturday 7th June 2025.

The one thing I cannot live without is theatre – however raw its raw materials. Uncluttering the classic stage: ‘Lear’, a production of The National Theatre of Scotland at the Traverse Theatre seen 2.30-3.30 p.m. Saturday 7th June 2025. Bcck in the old days at Honley Grammar School, my friend Ann will remember that we … More The one thing I cannot live without is art – however raw its raw materials. Uncluttering the classic stage: Lear, a production of The National Theatre of Scotland at the Traverse Theatre seen 2.30-3.30 p.m. Saturday 7th June 2025.

‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’. This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’.

‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’.  [1] This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’. Some people, and Joanne is one of … More ‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’. This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’.

This blog is a reflective take on Seán Hewitt’s 2025 novel ‘Open, Heaven’ New York, Alfred A. Knopf.

‘It was  all unfinished and most likely it always would be’. Open, Heaven, which despite having many endings is also truly an unending story, asks us how much we really want our loves to remain open rather than closed to future promise: that ‘life of constant negotiation, movement, agony, bliss’ And we desire this perhaps … More This blog is a reflective take on Seán Hewitt’s 2025 novel ‘Open, Heaven’ New York, Alfred A. Knopf.

Heather Christle‘s (2025)  ‘In The Rhododendrons’: thank you Kaveh Akbar for your recommendation on the book’s jacket that made me buy this. You have great friends.

In Heather Christle‘s (2025)  In The Rhododendrons many people (with effects of pleasure and pain or hope and despair) continually strike ‘the same pose’ that made images of a possible past recur. Christle tells us that is what family albums do, but that recurrence or repetition within them can, and perhaps should,  be perceived ‘differently’. … More Heather Christle‘s (2025)  ‘In The Rhododendrons’: thank you Kaveh Akbar for your recommendation on the book’s jacket that made me buy this. You have great friends.

Putting Love and Death on the screen in the context of the greatest of the dead Masters. A tentative new beginning with WordPress blogs.

I am returning to WordPress blogging after a break, including a short break in Amsterdam, which I will no doubt make many blogs about in the near future. But I, like the wedding guest in Samuel Taylor Coleridge’s poem The Rime of the Ancient Mariner, felt that my taking leave of WordPress was not unlike … More Putting Love and Death on the screen in the context of the greatest of the dead Masters. A tentative new beginning with WordPress blogs.

Children Processing the Hard Stuff in Dying County Durham Mining Communities

Geoff brought me a gift from his day volunteering at Oxfam to include in my mining books. It is a pamphlet published in 1990 by Durham Arts Association.  It charts encounters by a retired miner, of 40 years work down pits, who was dedicating the time released to his lifelong wanting to produce art with … More Children Processing the Hard Stuff in Dying County Durham Mining Communities

‘But there is no sign of the boy.’ The coming to age of a queer boy told in the third person captures the alienation possible in that experience but that may be all it seeks to show! This is a blog on Michael Amherst (2025) ‘The Boyhood of Cain’.

‘But there is no sign of the boy.’ The coming to age of a queer boy told in the third person captures the alienation possible in that experience but that may be all it seeks to show! This is a blog on Michael Amherst (2025) The Boyhood of Cain London, Faber & Faber. I sighed … More ‘But there is no sign of the boy.’ The coming to age of a queer boy told in the third person captures the alienation possible in that experience but that may be all it seeks to show! This is a blog on Michael Amherst (2025) ‘The Boyhood of Cain’.

‘The Story of the Stone”: the artist and shaman come nearest to us in sharing an acknowledgement of the opaque density of our experience.  New short stories by James Kelman.

“The Story of the Stone: Tales, Entreaties & Incantations“: the artist and shaman come nearest to us in sharing an acknowledgement of the opaque density of our experience.  New short stories by James Kelman I have already referred to this set of stories in a past blog [see this link to read if you wish]. … More ‘The Story of the Stone”: the artist and shaman come nearest to us in sharing an acknowledgement of the opaque density of our experience.  New short stories by James Kelman.

‘… caught in improper possession of another person’s property’.  Abdulrazak Gurnah (2025) ‘Theft’ is a novel in a great tradition of ‘David Copperfield’ & ‘Great Expectations’.

‘… caught in improper possession of another person’s property’.[1] This blog examines the sensibility of the outsider’s desire to belong and have no belongings. Abdulrazak Gurnah (2025) ‘Theft‘ is a novel in a great tradition of ‘David Copperfield‘ & ‘Great Expectations’. Karim, whose growth to total self-possession makes him the main contender pretender to be … More ‘… caught in improper possession of another person’s property’.  Abdulrazak Gurnah (2025) ‘Theft’ is a novel in a great tradition of ‘David Copperfield’ & ‘Great Expectations’.

I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s short stories in ‘The American No’. This blog is mainly on his Oscar for A Last Season.

I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s (2025) short stories in The American No London, Abacus Books. This blog is mainly on his Oscar for A Last Season The American No is a new set of short stories by … More I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s short stories in ‘The American No’. This blog is mainly on his Oscar for A Last Season.