And, as for our destination; ‘there ‘is a place’ but that’s ‘my own / somewhere far from your knowing’. This is a blog concerning Danez Smith (2024) ‘Bluff’.

In Danez’s Smith’s latest collection, Bluff, one way of reading the course of history lies in the poem made from footnotes within a longer poem, rondo:‘freedom was a door into a bigger cage & when they couldn’t shackle the necks anymore, their metal met the mind, they chained time, chained the money, chained the dreams … More And, as for our destination; ‘there ‘is a place’ but that’s ‘my own / somewhere far from your knowing’. This is a blog concerning Danez Smith (2024) ‘Bluff’.

Regions, towns, cities, identities and village people: Determining the nature of Community. This is a blog about seeing Andrew McMillan & Tawseef Khan.

“Do your parents know you are gay?” “They’re village people.” “People can surprise you. …”.[1] My name for this blog is Regions, towns, cities, identities and village people: Determining the nature of Community. In this blog I interrogate the decision of the Durham Book Festival to entitle a session on new novels by Andrew McMillan … More Regions, towns, cities, identities and village people: Determining the nature of Community. This is a blog about seeing Andrew McMillan & Tawseef Khan.

A performance of Pat Barker’s art in ‘The Voyage Home’ merges the voice of the Durham working class and rich music.

A performance of Pat Barker’s art in ‘The Voyage Home’ merges the voice of the Durham working class and rich music. I have blogged on The Voyage Home in preparation for this event (see the blog at this link) and had it been for the fairly run-of-the mill interview with Barker conducted by Adelle Stripe … More A performance of Pat Barker’s art in ‘The Voyage Home’ merges the voice of the Durham working class and rich music.

Alan Hollinghurst says that even if the first person narrator has a ‘testifying force’, it ‘is also filled with the omission of not knowing everything’. This is a blog on Alan Hollinghurst (2024) ‘Our Evenings’.

Alim Kheraj of GQ magazine starts his interview regarding Our Evenings (2024) with novelist Alan Hollinghurst with a question about  the ‘distinct first-person narrator’, asking: ‘How did that voice develop?’ Hollinghurst’s answer gives the reason why he thought a first person narrator was ‘inevitable’ because the events must be seen by someone ‘racially distinct from … More Alan Hollinghurst says that even if the first person narrator has a ‘testifying force’, it ‘is also filled with the omission of not knowing everything’. This is a blog on Alan Hollinghurst (2024) ‘Our Evenings’.

A note about ‘Bajazet’ by Racine and translated by Alan Hollinghurst and featuring in ‘Our Evenings’

Alan Hollinghurst’s newest novel opens with the memoirist, who is the novel’s focus, Dave Win, thinking about his present life in his 80s. He is ‘two weeks into rehearsals for Bajazet at the Anvil’, where he is ‘playing old Acomat, the grand Vizier, a gift of a part, …’. This blog is a starter before … More A note about ‘Bajazet’ by Racine and translated by Alan Hollinghurst and featuring in ‘Our Evenings’

‘how dare I love you here in the evidence of evil’: some thoughts about ‘Sioux Falls’ in Danez Smith (2024) ‘Bluff’.

‘how dare I love you here in the evidence of evil’: some thoughts about Sioux Falls in Danez Smith (2024: page 81) Bluff London, Chatto & Windus. This blog is a preliminary in a mini-project to prepare myself to hear Danez Smith reading from Bluff at the London Literary Festival at The Southbank Centre at 3.15 … More ‘how dare I love you here in the evidence of evil’: some thoughts about ‘Sioux Falls’ in Danez Smith (2024) ‘Bluff’.

‘Maybe it wasn’t true that there were no arts of living’. This is a blog on Garth Greenwell (2024) ‘Small Rain’.

There are no answers in this novel about ‘how to live’ other than the possibility that there might be, but possibly  too there aren’t,  ‘provisional truths’. Sometimes wisdom looks like the realisation that: ‘Maybe it wasn’t true that there were no arts of living’.[1] In this novel Garth Greenwell leaps from the queered description of … More ‘Maybe it wasn’t true that there were no arts of living’. This is a blog on Garth Greenwell (2024) ‘Small Rain’.

I need a plan for doing daily blogs. The task gets harder as my capacity for invention diminishes.

I need a plan for doing daily blogs. The task gets harder as my capacity for invention diminishes. Verses about how the daily blogs started ‘A blog a day Keeps blues away’. At first it was a need To find in chaff a seed Through diversion of that rumination Into futures planned by my creation. … More I need a plan for doing daily blogs. The task gets harder as my capacity for invention diminishes.

Finding the expression you want of the ‘wonder at sheer being’ when the man you love comes to bed in his ‘pijamas de ciervos’. Reflecting on a moment from Garth Greenwell’s (2024) ‘Small Rain’.

Finding the expression you want of the ‘wonder at sheer being’ when the man you love comes to bed in his ‘pijamas de ciervos‘. Reflecting on a moment from Garth Greenwell’s (2024) Small Rain. In the picture above various retailers appropriate expressions of joy in a young man in order to sell deer pyjamas, or … More Finding the expression you want of the ‘wonder at sheer being’ when the man you love comes to bed in his ‘pijamas de ciervos’. Reflecting on a moment from Garth Greenwell’s (2024) ‘Small Rain’.

“Much depends on it being a story that people will listen to greedily and be desperate to pass on”. This is a blog on Mark Haddon’s ‘Dogs and Monsters’ (2024).   

In the first story of Mark Haddon’s Dogs and Monsters (2024), named The Mother’s Story, a wily inventor and engineer, capable perhaps of only inventing dangerous fictions says of a story he is in the process of telling: “Much depends on it being a story that people will listen to greedily and be desperate to … More “Much depends on it being a story that people will listen to greedily and be desperate to pass on”. This is a blog on Mark Haddon’s ‘Dogs and Monsters’ (2024).