Why offer me a dream of doing what might be better never done.

The idea of winning the lottery – or winning the pools as was the norm when when I was a child and before the advent of a state lottery in the UK – may have appealed once as an means of evoking impossible resolutions to real problems – real or relative poverty, economic insecurity and … More Why offer me a dream of doing what might be better never done.

Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador.

First published in Open university blog Tuesday, 10 July 2018, 15:06 Visible to anyone in the world Edited by Steve Bamlett, Wednesday, 11 July 2018, 07:42 Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador. I read every word of Tim Winton as it falls (in the UK) from the press. … More Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador.

Of a ‘chert the size of an olive pit’, that travels with the narrator through the spaces and times of the novel ‘Juice’ [2024] by Tim Winton, the narrator says that ‘… a stone is an expression of the earth, a signal of time. … but its journey isn’t over, and neither is its destiny fixed’. In the dystopia imagined by Tim Winton whether destiny is fixed or not at any point in the globe’s political and environmental history is the central ethical problem of the novel.

Of a ‘chert the size of an olive pit’, that travels with the narrator through the spaces and times of the novel Juice [2024] by Tim Winton, the narrator says that ‘… a stone is an expression of the earth, a signal of time. But it’s also a relic of experience. A thing propelled into the world. … More Of a ‘chert the size of an olive pit’, that travels with the narrator through the spaces and times of the novel ‘Juice’ [2024] by Tim Winton, the narrator says that ‘… a stone is an expression of the earth, a signal of time. … but its journey isn’t over, and neither is its destiny fixed’. In the dystopia imagined by Tim Winton whether destiny is fixed or not at any point in the globe’s political and environmental history is the central ethical problem of the novel.

Is thinking differently, doing something differently? Or is thought a means of doing nothing? ‘We are all of us born in moral stupidity, taking the world as an udder to feed our supreme selves’ says George Eliot magisterially with perhaps this issue in mind. If we are born thus, the emergence of independent moral understanding is painful as a result, for in that emergence we begin to know the otherness of others beneath the barriers set by our thick skins. (Cue George Eliot’s ‘Middlemarch’ from the end of Book 1, Chapter XXI).

Is thinking differently, doing something differently? Or is thought a means of doing nothing? Can thinking become its own object rather an an eternally self-reflecting subject seeing itself repeated infinitely in a Hall of Mirrors. A Yayoi Kusama Infinity Mirror Room. ‘We are all of us born in moral stupidity, taking the world as an … More Is thinking differently, doing something differently? Or is thought a means of doing nothing? ‘We are all of us born in moral stupidity, taking the world as an udder to feed our supreme selves’ says George Eliot magisterially with perhaps this issue in mind. If we are born thus, the emergence of independent moral understanding is painful as a result, for in that emergence we begin to know the otherness of others beneath the barriers set by our thick skins. (Cue George Eliot’s ‘Middlemarch’ from the end of Book 1, Chapter XXI).

“If there were no time there would still be some / Sometimes, …. / :Cocooned in comfort where there’s no splendour”.

If there were no time there would still be someSometimes, wherein we would find time containedIn some special relationship with us:Cocooned in comfort where there’s no splendour. It does not surprise me that when I think of time I type some plangent iambic pentameters like those I typed above with echoes of the moment in … More “If there were no time there would still be some / Sometimes, …. / :Cocooned in comfort where there’s no splendour”.

‘Stop saying words, my sister whispered back. I want to hear the story’. This is a blog  on Ali Smith (2024) ‘Gliff ‘.

‘Stop saying words, my sister whispered back. I want to hear the story’.[1] The paradox may be that we express our identity in words and names not in the process of telling and hearing our stories. I think Ali Smith thinks that may be true of the configuration of sex/gender too. This is a blog  … More ‘Stop saying words, my sister whispered back. I want to hear the story’. This is a blog  on Ali Smith (2024) ‘Gliff ‘.

If mine own self contains multiples then night does not follow day, they are simultaneous and not necessarily in contest.

The idea that the surest thing on earth is that night follows day in indubitable sequence is so often invoked that it is the stock-in-trade of politicians, especially those involved of the hubris of building and defending nation states within expanding imperial boundaries and in the belief that might is right: note the words of … More If mine own self contains multiples then night does not follow day, they are simultaneous and not necessarily in contest.

Bridging Gaps in Personal Learning No. 3: The Bacon portraits at the National Portrait Gallery as acts of love & beauty.

Bridging Gaps in Personal Learning No. 3: Bacon claimed that the role of art was not to create a ‘likeness’ of what meets the eye in looking at his sitter but to discover ‘a deeper sense of the reality of the image; by finding a way to ‘unlock the areas of feeling’ that lead to … More Bridging Gaps in Personal Learning No. 3: The Bacon portraits at the National Portrait Gallery as acts of love & beauty.

Bridging Gaps in Personal Learning: This blog is an attempt to understand my own process of  learning. It is based on a highly situated reading of Émile Zola’s ‘The Sin of Abbé Mouret’, translated by Valerie Minogue

Bridging Gaps in Personal Learning: This blog is an attempt to understand my own process of  learning. It is based on a highly situated and contextualised reading of Émile Zola’s The Sin of Abbé Mouret (La faute de l’abbé Mouret) translated by Valerie Minogue (Oxford World Classics ed.) Oxford, Oxford University Press, an edition recommended … More Bridging Gaps in Personal Learning: This blog is an attempt to understand my own process of  learning. It is based on a highly situated reading of Émile Zola’s ‘The Sin of Abbé Mouret’, translated by Valerie Minogue

This blog ponders on the latest John Banville crime novel:  John Banville (2024) ‘The Drowned’ London, Faber.

Do we guess when Detective St. John Strafford’s consciousness notices that there ‘was something odd about him today’  with regard a long standing character in the Quirke stories by Benjamin Black and the Quirke and Strafford stories of John Banville, Chief Inspector John Hackett,  that Hackett is about to depart his place in the series … More This blog ponders on the latest John Banville crime novel:  John Banville (2024) ‘The Drowned’ London, Faber.

‘Screen time’. Another red herring of an issue in a world where time is seen as a commodity for consumption.

Who would have thought that ‘screen time’ is a phrase that could be discussed on Wikipedia but it is!. That discussion focuses on the bad effects on the developmental physical and mental health of children but adults are considered as in this extract, which makes the point that screen time for adults is divided between … More ‘Screen time’. Another red herring of an issue in a world where time is seen as a commodity for consumption.

Ekow Eshun (2024) ‘The Strangers: Five Extraordinary Black Men and the Worlds That Made Them’. Black and Queer masculinity in the life-story of Justin Fashanu.

‘The fear of being powerless. The fear of being watched and judged. The fear of infection. They blur together. The mysterious American disease has grown larger and more ominous in your imagination as it begins to spread in Britain. … You read about it in the Mirror and you kept the paper afterwards, hiding it … More Ekow Eshun (2024) ‘The Strangers: Five Extraordinary Black Men and the Worlds That Made Them’. Black and Queer masculinity in the life-story of Justin Fashanu.