book-reviews – Page 3 – Steve_Bamlett

‘The Story of the Stone”: the artist and shaman come nearest to us in sharing an acknowledgement of the opaque density of our experience. New short stories by James Kelman.

April 30, 2025

“The Story of the Stone: Tales, Entreaties & Incantations“: the artist and shaman come nearest to us in sharing an acknowledgement of the opaque density of our experience. New short stories by James Kelman I have already referred to this set of stories in a past blog [see this link to read if you wish]. … More ‘The Story of the Stone”: the artist and shaman come nearest to us in sharing an acknowledgement of the opaque density of our experience. New short stories by James Kelman.

‘Only connect’ said E.M. Forster but what madness results. This blog reflects on Roland Barthes [trans. Richard Howard] (2000) ‘Camera Lucida: Reflections on Photography’.

April 28, 2025

‘Only connect’ said E.M. Forster but what madness results. Begin by making connections between these two photographs and then with them. Roland Barthes [trans. This blog reflects on Roland Barthes [trans. Richard Howard] (2000:3) Camera Lucida: Reflections on Photography, Vintage Press Edition. Connectivity was always a thing I valued – in the connection for instance … More ‘Only connect’ said E.M. Forster but what madness results. This blog reflects on Roland Barthes [trans. Richard Howard] (2000) ‘Camera Lucida: Reflections on Photography’.

‘… caught in improper possession of another person’s property’. Abdulrazak Gurnah (2025) ‘Theft’ is a novel in a great tradition of ‘David Copperfield’ & ‘Great Expectations’.

April 26, 2025

‘… caught in improper possession of another person’s property’.[1] This blog examines the sensibility of the outsider’s desire to belong and have no belongings. Abdulrazak Gurnah (2025) ‘Theft‘ is a novel in a great tradition of ‘David Copperfield‘ & ‘Great Expectations’. Karim, whose growth to total self-possession makes him the main contender pretender to be … More ‘… caught in improper possession of another person’s property’. Abdulrazak Gurnah (2025) ‘Theft’ is a novel in a great tradition of ‘David Copperfield’ & ‘Great Expectations’.

Visualising passion – approaching J.M.W. Turner’s attempt to capture the embodiment of desire in ‘Turner’s Secret Sketches’ edited by Ian Warrell (2012).

April 18, 2025

Visualising passion – approaching J.M.W. Turner’s attempt to capture the embodiment of desire in Turner’s Secret Sketches edited by Ian Warrell (2012) Tate Publishing. I am still cataloguing my books, abandoning many along the way, and have reached book number 3744 of the books I am keeping. The book is Turner’s Secret Sketches, edited and … More Visualising passion – approaching J.M.W. Turner’s attempt to capture the embodiment of desire in ‘Turner’s Secret Sketches’ edited by Ian Warrell (2012).

Tash Aw’s ‘The South’ focuses upon the lives of queer ‘angry young men’, and even boys grown as wild as El Niño.

March 23, 2025

Growth and hunger create awareness of ‘hollow spaces that never existed before’: Tash Aw’s The South focuses upon the lives of queer ‘angry young men’, and even boys grown as wild as El Niño. But are both responding to an extraordinary and new ‘physical evolution stronger than’ any of us or merely to ‘the effect … More Tash Aw’s ‘The South’ focuses upon the lives of queer ‘angry young men’, and even boys grown as wild as El Niño.

Racism, Sexism, and British writing at the end of the colonial period and the knotty problem of point of view.

March 21, 2025

We sometimes think racism was inevitable in post-colonial Britain, but looking for evidence of it in writing is sometimes an issue that needs thought. I have a good, if incomplete collection of Robin Jenkins’ novels amongst my library which I once read avidly and all the time. I still prize above above many other novels … More Racism, Sexism, and British writing at the end of the colonial period and the knotty problem of point of view.

Each day is a chance to learn how to rely neither on what I possess, or wish to possess, and hence no longer, perhaps, to be possessed.

March 12, 2025

In her mid-career (in 1990), the mow deceased novelist A.S. Byatt wrote a novel called Possession. This novel attempted to bring together people whose actions running in parallel between two centuries learn about the values that gather around the term posession. to do so Byatt called on most of the meanings that the word ‘posession’ … More Each day is a chance to learn how to rely neither on what I possess, or wish to possess, and hence no longer, perhaps, to be possessed.

‘I’ve done worse things, things I am not proud of including standing here in the dark with David, I know there’s a little bit of hypocrisy there, there are shades of hypocrisy in everything. Our principles stretch like elastic bands’. This is a blog on Nicola Dinan (2025) ‘Disappoint Me’.

February 23, 2025

‘I’ve done worse things, things I am not proud of including standing here in the dark with David, I know there’s a little bit of hypocrisy there, there are shades of hypocrisy in everything. Our principles stretch like elastic bands’.[1] When certainties fail us, as they must in time, there may be no alternative to … More ‘I’ve done worse things, things I am not proud of including standing here in the dark with David, I know there’s a little bit of hypocrisy there, there are shades of hypocrisy in everything. Our principles stretch like elastic bands’. This is a blog on Nicola Dinan (2025) ‘Disappoint Me’.

The ‘gnomic aperçu’ seemed once to be the quest of the literary academy. John Banville tells us that apparent words of arcane wisdom often turn out to be ‘academic writing at its most convoluted, most resistant and most sterile, the deathless products of the publish-or-perish academic treadmill’. [1]

February 8, 2025

It seems odd to take as the text behind a blog not a great work reviewed but the review itself. Nevertheless today I do just this. John Banville is a great reviewer – the grim and rather schoolmasterly distaste for orthodoxy in which he specialises makes him a resistible public speaker but a novelist of … More The ‘gnomic aperçu’ seemed once to be the quest of the literary academy. John Banville tells us that apparent words of arcane wisdom often turn out to be ‘academic writing at its most convoluted, most resistant and most sterile, the deathless products of the publish-or-perish academic treadmill’. [1]

A reader falls into Joelle Taylor’s fabulous ‘The Night Alphabet’.

February 3, 2025

‘Everything moves. Everything passes. Threads tangle so easily, so completely. It is their nature to knot. …/…/ The truth is you must be everyone in a story to understand the story. …’.[1] A reader who comes to The Night Alphabet looking for a linear story and quickly understood connections between the novel’s sub-narratives (or some … More A reader falls into Joelle Taylor’s fabulous ‘The Night Alphabet’.

Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador.

January 16, 2025

First published in Open university blog Tuesday, 10 July 2018, 15:06 Visible to anyone in the world Edited by Steve Bamlett, Wednesday, 11 July 2018, 07:42 Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador. I read every word of Tim Winton as it falls (in the UK) from the press. … More Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador.

Of a ‘chert the size of an olive pit’, that travels with the narrator through the spaces and times of the novel ‘Juice’ [2024] by Tim Winton, the narrator says that ‘… a stone is an expression of the earth, a signal of time. … but its journey isn’t over, and neither is its destiny fixed’. In the dystopia imagined by Tim Winton whether destiny is fixed or not at any point in the globe’s political and environmental history is the central ethical problem of the novel.