Tag: book-review

‘… caught in improper possession of another person’s property’.  Abdulrazak Gurnah (2025) ‘Theft’ is a novel in a great tradition of ‘David Copperfield’ & ‘Great Expectations’.

April 26, 2025

‘… caught in improper possession of another person’s property’.[1] This blog examines the sensibility of the outsider’s desire to belong and have no belongings. Abdulrazak Gurnah (2025) ‘Theft‘ is a novel in a great tradition of ‘David Copperfield‘ & ‘Great Expectations’. Karim, whose growth to total self-possession makes him the main contender pretender to be … More ‘… caught in improper possession of another person’s property’.  Abdulrazak Gurnah (2025) ‘Theft’ is a novel in a great tradition of ‘David Copperfield’ & ‘Great Expectations’.

Visualising passion – approaching J.M.W. Turner’s  attempt to capture the embodiment of desire in ‘Turner’s Secret Sketches’ edited by Ian Warrell (2012).

April 18, 2025

Visualising passion – approaching J.M.W. Turner’s  attempt to capture the embodiment of desire in Turner’s Secret Sketches edited by Ian Warrell (2012) Tate Publishing. I am still cataloguing my books, abandoning many along the way, and have reached book number 3744 of the books I am keeping. The book is Turner’s Secret Sketches, edited and … More Visualising passion – approaching J.M.W. Turner’s  attempt to capture the embodiment of desire in ‘Turner’s Secret Sketches’ edited by Ian Warrell (2012).

Tash Aw’s ‘The South’ focuses upon the lives of queer ‘angry young men’, and even boys grown as wild as El Niño.

March 23, 2025

Growth and hunger create awareness of ‘hollow spaces that never existed before’: Tash Aw’s The South focuses upon the lives of queer ‘angry young men’, and even boys grown as wild as El Niño. But are both responding to an extraordinary and new  ‘physical evolution stronger than’ any of us or merely to ‘the effect … More Tash Aw’s ‘The South’ focuses upon the lives of queer ‘angry young men’, and even boys grown as wild as El Niño.

Racism, Sexism, and British writing at the end of the colonial period and the knotty problem of point of view.

March 21, 2025

We sometimes think racism was inevitable in post-colonial Britain, but looking for evidence of it in writing is sometimes an issue that needs thought. I have a good, if incomplete collection of Robin Jenkins’ novels amongst my library which I once read avidly and all the time. I still prize above above many other novels … More Racism, Sexism, and British writing at the end of the colonial period and the knotty problem of point of view.

The queer confidence of a shy man: George Mackay Brown (GMB) and his late novel ‘Vinland’, where “boys love to range freely in the country of their imagination, and there they are captains and jarls”.

March 16, 2025

What is it to be confident? Usually mythologies are based around what ‘confidence’ should mean. The Viking sea captains and jarls of the Orkneyninga Saga are a strong subject for a literature in which boys dream of the men they might become but adolescence was a fraught and painful thing for George Mackay Brown (GMB), … More The queer confidence of a shy man: George Mackay Brown (GMB) and his late novel ‘Vinland’, where “boys love to range freely in the country of their imagination, and there they are captains and jarls”.

This blog discusses Santanu Bhattacharya’s 2025 wonderful queer novel, ‘Deviants’.

March 6, 2025

‘I don’t think I can write about my own life yet, but I’ve written it all down. … It’s funny how I’ve been writing stories about other people until now …’, says ‘Mambro’, the middle generation of the queer men as named by his nephew, in one Bangladeshi family. However, when Mambro told the story … More This blog discusses Santanu Bhattacharya’s 2025 wonderful queer novel, ‘Deviants’.

‘I’ve done worse things, things I am not proud of including standing here in the dark with David, I know there’s a little bit of hypocrisy there, there are shades of hypocrisy in everything. Our principles stretch like elastic bands’. This is a blog on Nicola Dinan (2025) ‘Disappoint Me’.

February 23, 2025

‘I’ve done worse things, things I am not proud of including standing here in the dark with David, I know there’s a little bit of hypocrisy there, there are shades of hypocrisy in everything. Our principles stretch like elastic bands’.[1] When certainties fail us, as they must in time, there may be no alternative to … More ‘I’ve done worse things, things I am not proud of including standing here in the dark with David, I know there’s a little bit of hypocrisy there, there are shades of hypocrisy in everything. Our principles stretch like elastic bands’. This is a blog on Nicola Dinan (2025) ‘Disappoint Me’.

A reader falls into Joelle Taylor’s fabulous ‘The Night Alphabet’.

February 3, 2025

‘Everything moves. Everything passes.  Threads tangle so easily, so completely. It is their nature to knot. …/…/ The truth is you must be everyone in a story to understand the story. …’.[1]  A reader who comes to The Night Alphabet looking for a linear story and quickly understood connections between the novel’s sub-narratives  (or some … More A reader falls into Joelle Taylor’s fabulous ‘The Night Alphabet’.

‘EAT YOUR OWN HOUSE, WITCH! I don’t even like candy, darling! (But Candy Darling is another matter entirely) : “Hey, sugar / Take a walk on the wild side”

January 31, 2025

Now here’s a blog prompt that I never ever thought I would answer. My usual recourse to etymology to find a nuance in the question has already reached a block. In the UK we use the term ‘candy’, only because we see and hear the word in USA cultural imports, The UK word for candy … More ‘EAT YOUR OWN HOUSE, WITCH! I don’t even like candy, darling! (But Candy Darling is another matter entirely) : “Hey, sugar / Take a walk on the wild side”

In the self-published memoir-cum-novel ‘poof: a curriculum vitae’, James, the narrator, generalises on the background human condition assumed in the work. He says, for instance: ‘Despair over our own existences certainly makes us bury obvious truths. Masochistic for meaning, we give ourselves over to existing powers so easily’.  At another point, James says: ‘Now I have become a master of fieldwork psychology’. Yet we cannot know the full context in which  that naming of a role has meaning. This blog tries to read this analytic novel’s study of the lives of masters and slaves, and a world where power seems all there is in relationships, in a way that makes sense to me.

January 23, 2025

In the self-published memoir-cum-novel poof: a curriculum vitae, James, the narrator, generalises on the background human condition assumed in the work. He says, for instance:  ‘Despair over our own existences certainly makes us bury obvious truths. Masochistic for meaning, we give ourselves over to existing powers so easily’.[1]  At one point, James says: ‘Now I … More In the self-published memoir-cum-novel ‘poof: a curriculum vitae’, James, the narrator, generalises on the background human condition assumed in the work. He says, for instance: ‘Despair over our own existences certainly makes us bury obvious truths. Masochistic for meaning, we give ourselves over to existing powers so easily’.  At another point, James says: ‘Now I have become a master of fieldwork psychology’. Yet we cannot know the full context in which  that naming of a role has meaning. This blog tries to read this analytic novel’s study of the lives of masters and slaves, and a world where power seems all there is in relationships, in a way that makes sense to me.

Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador.

January 16, 2025

First published in Open university blog Tuesday, 10 July 2018, 15:06 Visible to anyone in the world Edited by Steve Bamlett, Wednesday, 11 July 2018, 07:42 Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador. I read every word of Tim Winton as it falls (in the UK) from the press. … More Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador.

Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are) that can only be changed by getting out from ‘under the net’ of a web of false relationships. This blog contains some thoughts on reading a play I had neglected by the great novelist.

January 8, 2025

Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are – as Bradley Pearson and Hamlet are in The Black Prince and Hamlet respectively and both together in the first) that can only be changed by getting out from under the net of a … More Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are) that can only be changed by getting out from ‘under the net’ of a web of false relationships. This blog contains some thoughts on reading a play I had neglected by the great novelist.