How have your political views changed over time? Political views that change ‘over time’ are most often based on political interests. This blog is stimulated by Peter Oborne (2025) ‘Complicit: Britain’s Role in the Destruction of Gaza’.

Political views that change ‘over time’ are most often based on political interests. Free-standing, and relatively independent thought, feelings and action regarding politics – about how different kinds of power are distributed and used –  probably do change over time in reflection of learning, provided we allow ourselves to continue learning over our lives. However, … More How have your political views changed over time? Political views that change ‘over time’ are most often based on political interests. This blog is stimulated by Peter Oborne (2025) ‘Complicit: Britain’s Role in the Destruction of Gaza’.

It was this blog, of course! It is on Peter Jefferies & Gregory Jusdanis ‘Alexandrian Sphinx: The Hidden Life of Constantine Cavafy’.

It was this blog, of course! How to write on a life, whose archival raw material is ‘marked by two conspicuous gaps – the relative absence of material regarding Constantine’s erotic life and his views of Muslim Egyptians’.[1] This is a blog on Peter Jefferies & Gregory Jusdanis Alexandrian Sphinx: The Hidden Life of Constantine … More It was this blog, of course! It is on Peter Jefferies & Gregory Jusdanis ‘Alexandrian Sphinx: The Hidden Life of Constantine Cavafy’.

Ian McEwan states in his novel’s title a concern with ‘What We Can Know’. Clearly, this concern with the nature and limits of knowledge is central to the conduct of history including predictive history, biography and the study of the art or even counterfactual forms of those things. However, the epigram of this novel, taken from the biographer Richard Holmes, implies that biography embodies ‘human truths poised between fact and fiction’ themselves which requires the question of ‘what we can know’ but also goes on to ask ‘what we can believe, and finally what we can love’.

Ian McEwan states in his novel’s title a concern with What We Can Know. Clearly, this concern with the nature and limits of knowledge is central to the conduct of history including predictive history, biography and the study of the art or even counterfactual forms of those things. However, the epigram of this novel, taken … More Ian McEwan states in his novel’s title a concern with ‘What We Can Know’. Clearly, this concern with the nature and limits of knowledge is central to the conduct of history including predictive history, biography and the study of the art or even counterfactual forms of those things. However, the epigram of this novel, taken from the biographer Richard Holmes, implies that biography embodies ‘human truths poised between fact and fiction’ themselves which requires the question of ‘what we can know’ but also goes on to ask ‘what we can believe, and finally what we can love’.

“It’s not wholly unlike seeing people talk about Faerie”. ‘Do you ever see wild animals?’ is a question trapped in the net of  binaries. This blog takes as its case study Amal El-Mohtar’s ‘The River Has Roots’.

“It’s not wholly unlike seeing people talk about Faerie”. [1] ‘Do you ever see wild animals?’ is a question trapped in the net of binaries. This blog takes as its case study Amal El-Mohtar (2025) ‘The River Has Roots’, London, Arcadia, Quercus Books. ‘Wild animals’ possibly don’t exist except as the ‘other’ to two norms … More “It’s not wholly unlike seeing people talk about Faerie”. ‘Do you ever see wild animals?’ is a question trapped in the net of  binaries. This blog takes as its case study Amal El-Mohtar’s ‘The River Has Roots’.

‘For a long time, the mother thought life-changing moments were momentous. Entirely unambiguous’. This blog is a reflection of Bryan Washington (2025) ‘Palaver’ New York, Farrar, Straus & Giroux.

‘For a long time, the mother thought life-changing moments were momentous. Entirely unambiguous’.[1]  This beautiful, moving and comic line from Bryan Washington’s Palaver rhymes with one of his chosen epigrams for the novel by Akira the Hustler (ハスラーアキラ, Hasurā Akira) : ‘Our days are demarcated in the repetition of little goodbyes’. Prompt questions are so encouraging of … More ‘For a long time, the mother thought life-changing moments were momentous. Entirely unambiguous’. This blog is a reflection of Bryan Washington (2025) ‘Palaver’ New York, Farrar, Straus & Giroux.

“Boo only comes out at night”, so says Jem Finch in the 1962 film of ‘To Kill A Mocking Bird’. What does it take to make ‘darkness visible’. This is a blog preparing me to see the touring production of the play by Aaron Sorkin at the Lowry Theatre on 22nd January 2026.

Thrown to the pit of Hell, Satan in Paradise Lost looks around him: At once as far as Angels kenn he viewsThe dismal Situation waste and wilde,A Dungeon horrible, on all sides roundAs one great Furnace flam’d, yet from those flamesNo light, but rather darkness visibleServ’d onely to discover sights of woe,Regions of sorrow, doleful … More “Boo only comes out at night”, so says Jem Finch in the 1962 film of ‘To Kill A Mocking Bird’. What does it take to make ‘darkness visible’. This is a blog preparing me to see the touring production of the play by Aaron Sorkin at the Lowry Theatre on 22nd January 2026.

Never trust my Booker predictions! Yet ‘Flesh’ is a great winner of the 2025 prize.

Never trust my Booker predictions! Yet ‘Flesh’ is a great winner of the 2025 prize. In my last go at a prediction of the 2025 Booker [see this link], I placed David Szalay’s novel Flesh , 3rd out of the 6th. And now we find it has won. It is more than a worthy winner, … More Never trust my Booker predictions! Yet ‘Flesh’ is a great winner of the 2025 prize.

In a historical novel, you can ‘meet’ people supposed in those fictions to be famous AND those who are or ‘were’ so in ‘real’ life simultaneously. In Neil Blakemore’s 2025 novel ‘Objects Of Desire’, the character named Christopher Isherwood says that people want fame: ‘So that they can become monsters and make others feel bad, and no one will dare challenge them’.

In a historical novel, you can ‘meet’ people supposed in those fictions to be famous AND those who are or ‘were’ so in ‘real’ life simultaneously. In Neil Blakemore’s 2025 novel Objects Of Desire, the character named Christopher Isherwood says that people want fame: ‘So that they can become monsters and make others feel bad, … More In a historical novel, you can ‘meet’ people supposed in those fictions to be famous AND those who are or ‘were’ so in ‘real’ life simultaneously. In Neil Blakemore’s 2025 novel ‘Objects Of Desire’, the character named Christopher Isherwood says that people want fame: ‘So that they can become monsters and make others feel bad, and no one will dare challenge them’.

Anthony Delaney’s ‘Queer Georgians’: queer tales from history ambitiously takes Foucault to task for the misrepresentation and cancellation of queer history and charms with the author’s personality at the same time.

Anthony Delaney’s ‘Queer Georgians’: queer tales from history ambitiously takes Foucault to task for the misrepresentation and cancellation of queer history and charms with the author’s personality at the same time. If you had to give a prize for the readability of queer history, this book would have to take it. Moreover, it does not … More Anthony Delaney’s ‘Queer Georgians’: queer tales from history ambitiously takes Foucault to task for the misrepresentation and cancellation of queer history and charms with the author’s personality at the same time.

The 2025 Booker Shortlist – My experience & predictions for those I read

The 2025 Booker Shortlist – My experience & predictions for those I read The Longlist blog is still available – and still messy. It is here at this link, if you want to access link to blogs on books not shortlisted. Tash Aw was definitively cheated of a shortlist place with his best book ever … More The 2025 Booker Shortlist – My experience & predictions for those I read

A speculative blog on Kiran Desai’s ‘The Loneliness of Sonia and Sunny’. My Booker winner.

At one point in the latter parts of The Loneliness of Sonia and Sunny two women, Babita and Sonia, alone in separate rooms in a huge mansion from the Portuguese era in Goa, an era established from 1510, that has all the characteristics of a Gothic Castle of Otranto, speak between the sound-porous walls of … More A speculative blog on Kiran Desai’s ‘The Loneliness of Sonia and Sunny’. My Booker winner.

Can ‘principles define how you live’ if you live in the world as it is. This blog looks at this by examining a recent (and edited) play text of George Bernard Shaw’s ‘Mrs Warren’s Profession’, which we see live-streamed on 23rd October at the Gala Theatre Durham.

Can ‘principles define how you live’, if you live in the world as it is. This blog looks at this by examining a recent (and edited) play text of George Bernard Shaw’s ‘Mrs Warren’s Profession’, which we see live-streamed on 23rd October at the Gala Theatre Durham. Geoff and I will be seeing this play … More Can ‘principles define how you live’ if you live in the world as it is. This blog looks at this by examining a recent (and edited) play text of George Bernard Shaw’s ‘Mrs Warren’s Profession’, which we see live-streamed on 23rd October at the Gala Theatre Durham.