The meaning of the weather depends on what its changes mean to you, your community, your present and your future. This blog is about seeing the Opera North production of ‘Peter Grimes’ at the Theatre Royal Newcastle at 7.00 p.m Friday 20th March 2026.

The meaning of the weather depends on what its changes mean to you, your community, your present and your future! This blog is about seeing the Opera North production of ‘Peter Grimes’ at the Theatre Royal Newcastle at 7.00 p.m Friday 20th March 2026. Theatre Royal. Awaiting the performance I prepared myself as always to … More The meaning of the weather depends on what its changes mean to you, your community, your present and your future. This blog is about seeing the Opera North production of ‘Peter Grimes’ at the Theatre Royal Newcastle at 7.00 p.m Friday 20th March 2026.

Is there a rationale or purpose for a queer reading of Benjamin Britten’s operatic drama, ‘Peter Grimes’?

Worthwhile modern readings which root Peter Grimes in the experience of Benjamin Britten as a queer man may be available, although I think Phillip Brett’s Cambridge monograph on the opera may have served as a last word on why it both requires that perspective and why it is insufficient to provide a satisfactory reading on its … More Is there a rationale or purpose for a queer reading of Benjamin Britten’s operatic drama, ‘Peter Grimes’?

‘He’d now the power he ever loved to show, / A feeling being subject to his blow.’ In 1810, a long time ago, a rhyming vicar, George Crabbe, could trace the origins of domestic abuse to the leeway given to men to ‘assert the man’ by the exercise of power and control. Why is it possible to see no end of this leeway in the future?

‘He’d now the power he ever loved to show, / A feeling being subject to his blow.’ In 1810, a long time ago, a rhyming vicar, could trace the origins of domestic abuse to the leeway given to men to ‘assert the man’ by the exercise of power and control. Why is it possible to … More ‘He’d now the power he ever loved to show, / A feeling being subject to his blow.’ In 1810, a long time ago, a rhyming vicar, George Crabbe, could trace the origins of domestic abuse to the leeway given to men to ‘assert the man’ by the exercise of power and control. Why is it possible to see no end of this leeway in the future?