Worthwhile modern readings which root Peter Grimes in the experience of Benjamin Britten as a queer man may be available, although I think Phillip Brett’s Cambridge monograph on the opera may have served as a last word on why it both requires that perspective and why it is insufficient to provide a satisfactory reading on its … More Is there a rationale or purpose for a queer reading of Benjamin Britten’s operatic drama, ‘Peter Grimes’?