‘Street Kids’ Joan Eardley (c. 1950): Townhead in Glasgow

I first saw this painting painted about 1950 at an Eardley retrospective at the Scottish Gallery of Modern Art in a Joan Eardley retrospective called ‘A Sense of Place’ in 2017. Though often reduced to statements of the ‘strong identification with the poor and deprived’ type, these paintings do not seem to me to call … More ‘Street Kids’ Joan Eardley (c. 1950): Townhead in Glasgow

Bridging Gaps in Personal Learning No. 3: The Bacon portraits at the National Portrait Gallery as acts of love & beauty.

Bridging Gaps in Personal Learning No. 3: Bacon claimed that the role of art was not to create a ‘likeness’ of what meets the eye in looking at his sitter but to discover ‘a deeper sense of the reality of the image; by finding a way to ‘unlock the areas of feeling’ that lead to … More Bridging Gaps in Personal Learning No. 3: The Bacon portraits at the National Portrait Gallery as acts of love & beauty.

Bridging Gaps in Personal Learning No. 2 : This blog is based on thinking about the debt of influence of Francis Bacon to his painting hero, Vincent Van Gogh, as a portraitist.

Bridging Gaps in Personal Learning No. 2: This blog is yet again an attempt to understand my own process of  learning. It is based on thinking about the debt of influence of Francis Bacon to his painting hero, Vincent Van Gogh, as a portraitist. I start with the configuration of that debt by Rosie Broadley … More Bridging Gaps in Personal Learning No. 2 : This blog is based on thinking about the debt of influence of Francis Bacon to his painting hero, Vincent Van Gogh, as a portraitist.