The Van Gogh Museum: Preface to seeing Van Gogh through the eyes of Anselm Kiefer The pictures above were by other tourists than us. This blog is an intrusion into the three-part set of blogs, in effect a fourth added to them but to preface the ones on the joint exhibition of Anselm Kiefer, both … More The Van Gogh Museum: Preface to seeing Van Gogh through the eyes of Anselm Kiefer
On the myth that visiting the Rijksmuseum is the primary way of knowing the culture of Holland and the Dutch spirit. In my introductory blog on our Amsterdam trip [at this link], I suggested there would be three more Amsterdam blogs to come. There, in the first version (now updated to reflect the chosen final … More On the myth that visiting the Rijksmuseum is the primary way of knowing the culture of Holland and the Dutch spirit.
I am returning to WordPress blogging after a break, including a short break in Amsterdam, which I will no doubt make many blogs about in the near future. But I, like the wedding guest in Samuel Taylor Coleridge’s poem The Rime of the Ancient Mariner, felt that my taking leave of WordPress was not unlike … More Putting Love and Death on the screen in the context of the greatest of the dead Masters. A tentative new beginning with WordPress blogs.
The serious games queer art plays: this blog is a reflection on a brilliant article in this two-monthly offering of ‘Gay & Lesbian Review‘ by Joseph Shaikewitz. The article to which this blog owes everything: in Gay & Lesbian Review May – June 2025 Volume XXXII, Number 3, pages 32 – 35. The present two-monthly … More The serious games queer art plays: this blog is a reflection on a brilliant article in this month’s ‘Gay & Lesbian Review’ by Joseph Shaikewitz.
“The Story of the Stone: Tales, Entreaties & Incantations“: the artist and shaman come nearest to us in sharing an acknowledgement of the opaque density of our experience. New short stories by James Kelman I have already referred to this set of stories in a past blog [see this link to read if you wish]. … More ‘The Story of the Stone”: the artist and shaman come nearest to us in sharing an acknowledgement of the opaque density of our experience. New short stories by James Kelman.
‘Only connect’ said E.M. Forster but what madness results. Begin by making connections between these two photographs and then with them. Roland Barthes [trans. This blog reflects on Roland Barthes [trans. Richard Howard] (2000:3) Camera Lucida: Reflections on Photography, Vintage Press Edition. Connectivity was always a thing I valued – in the connection for instance … More ‘Only connect’ said E.M. Forster but what madness results. This blog reflects on Roland Barthes [trans. Richard Howard] (2000) ‘Camera Lucida: Reflections on Photography’.
In what follows, I scatter the correctly paired works variously in labeled collages: Barbara Hepworth Winter Solstice at ItDibs Hepworth’s idealistic iconography certainly extended to her self-portrait. The use of blank space on paper characterises the treatment of her massive forehead, full of space which her abstract figuration also has, wherein colour tones and shades … More The quiz of yesterday (after I lost faith in its fun): the answers.
Me as a more-than-tubby queer angel. The title of this piece is a bit presumptuous. Too few read this blog, and very much fewer respond (though I am grateful for those who do feedback their thoughts either personally or in public) to assume anyone either wants me to set them a little experimental exercise or … More Have a go at this exercise! I dare you! It is an exercise on whether we can use terms used in talking about art, in this using the term ‘style’ alone, to recognise a artist’ s work.
The Art of the Pit Head Bath. Joanna Drew (Arts Council of Great Britain – ACGB), Douglas Gray (art selector & essayist), Norman Siddall (British National Coal Board – NCB), Sir William Rees-Mogg (ACGB) & Dr John Kanefsky (essaysist) (1982: page 81) Coal: British Mining in Art 1680 -1980, London, The Arts Council of Great … More The Art of the Pit Head Bath. Tom McGuinness: metamorphic artist
As I work through my library, some books that startled me when I bought them have startled me again, for I have forgotten how novel they seemed. Such a one is that catalogue from an exhibition in the Newcastle Polytechnic in 1980 and related to the Newcastle Festival. The book was published in 1984. Organised … More It ‘s all in the making: reconstructing Munch.
As I was sorting out my books again, I came across a book I bought at the Laing (pronounced ‘Laine’) Gallery in Newcastle when I visited the wonderful permanent exhibition there. It’s a huge book – the size newspapers used to be and made of a similar kind of paper. But how do you look … More Do Roads answer questions? In honour of a great photographer, Chris Killip
Fritz Schein lives entirely in, and on as his means of living, ‘the art world’ of ‘spectacularity’ – a world of apparently random images and appearances that eschews the privacy of inner reflection by being in love with the still surface of mirrors. When the ‘great recluse’ Thomas Haller turns up at a show Schein knows … More Thomas Haller’s resurrection is his ‘lilac renaissance, his violet hour’.
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