Tag: art

Fated to love, or fated to die – this blog is a review of ‘Fireworks’ by director Guisseppe Fiorelli, and the use of the history of homophobic hate and queer redemption in the Giarre murders and its aftermath in the history of Sicilian Gay Liberation movement.

February 22, 2026

Fated to love, or fated to die – this blog is a review of ‘Fireworks’ by director, and the use of the history of homophobic hate and queer redemption in the Giarre murders and its aftermath in the history of Sicilian Gay Liberation movement. I am currently reading an amazing and beautiful novel about how … More Fated to love, or fated to die – this blog is a review of ‘Fireworks’ by director Guisseppe Fiorelli, and the use of the history of homophobic hate and queer redemption in the Giarre murders and its aftermath in the history of Sicilian Gay Liberation movement.

Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’.

January 30, 2026

Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’. New Haven & London, … More Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’.

Wear colours as if they were things and contained emotion as well as expressing it, or, ‘if I were a fairy queen, I’d wear red and green’.

November 22, 2025

Wear colours as if they were things and contained emotion as well as expressing it, or, ‘if I were a fairy queen, I’d wear red and green’. There is some contention about whether the only personality who is allowed to be seen in ‘red and green’ is a ‘fairy queen’ or an ‘Irish queen’. Unfortunately … More Wear colours as if they were things and contained emotion as well as expressing it, or, ‘if I were a fairy queen, I’d wear red and green’.

This blog documents reflection on a visit, and reading afterwards about, ‘Gilbert & George: 21st Century Pictures’ in the London South Bank, The Hayward Gallery on 22nd October 2025 at 10.30 a.m.

November 2, 2025

What might Gilbert & George mean when they said in 1986 in What Our Art Means (and republished by them in the catalogue of this exhibition in 2025) that it is intended ‘to speak across the barriers of knowledge directly to People about their Life, and not about their knowledge of art’.[1] This blog documents … More This blog documents reflection on a visit, and reading afterwards about, ‘Gilbert & George: 21st Century Pictures’ in the London South Bank, The Hayward Gallery on 22nd October 2025 at 10.30 a.m.

Innocence is not the condition of childhood- rather it is inability to control the heart or stop it from being overwhelmed. This blog is an attempt to prepare myself to see a revival of Chekhov’s ‘The Seagull’ at The Lyceum Theatre, Edinburgh on Wednesday 29th October at 2.30 p.m.

October 28, 2025

Innocence is not the condition of childhood- rather it is inability to control the heart or stop it from being overwhelmed. This truth is embedded in the reflexive nature of Chekhov’s great play The Sea-Gull. In Act IV of The Sea-Gull, we hear of the stage in a country estate’s garden that in Act I … More Innocence is not the condition of childhood- rather it is inability to control the heart or stop it from being overwhelmed. This blog is an attempt to prepare myself to see a revival of Chekhov’s ‘The Seagull’ at The Lyceum Theatre, Edinburgh on Wednesday 29th October at 2.30 p.m.

October 21st 2025: The first day of my birthday treats ends earlier than planned: Mea Culpa!

October 25, 2025

October 21st 2025: The first day of my birthday treats ends earlier than planned: Mea Culpa! I started this blog on the 21st October and its now the 24th and so backlogged with diary like blog reports. However, it helps to organise my brain to do them. On the 21st, I wrote this after an … More October 21st 2025: The first day of my birthday treats ends earlier than planned: Mea Culpa!

Maybe we all put off exposure to the moment of disappointment. Is it because we doubt the reality of our espoused passions? This blog tests that view by exposing my anticipations of the Lee Miller retrospective to be seen on October 21st 2025 at Tate Britain.

October 4, 2025

‘Putting off’ is a relative thing. It is as likely that we ‘put off’ even things we know we will do, either because we must or because we are driven by the pain that reality brings as much as by the pleasure of fantasy in the yet unrealised event in the future. This blog tests … More Maybe we all put off exposure to the moment of disappointment. Is it because we doubt the reality of our espoused passions? This blog tests that view by exposing my anticipations of the Lee Miller retrospective to be seen on October 21st 2025 at Tate Britain.

The appreciation of art is not a matter of ‘personal choice’ or ‘favour’; it is a duty. This is so not only for its maker but its reading, for reading is, in part, co-making.

October 2, 2025

The appreciation of art is not a matter of ‘personal choice’ or ‘favour’; it is a duty. This is so not only for its maker but its reading, for reading is, in part, co-making. Duty, of course, does not exclude personal pleasure if it does exclude banal ideas of choice between pleasures. The quotation and … More The appreciation of art is not a matter of ‘personal choice’ or ‘favour’; it is a duty. This is so not only for its maker but its reading, for reading is, in part, co-making.

What could I do more of? I could allow art and ways of seeing it to challenge me more: a preview of what I expect from the ‘Theatre Picasso’ exhibition at Tate modern, which I see on October 21st 2025.

September 23, 2025

What could I do more of? I could allow art and ways of seeing it to challenge me more: a preview of what I expect from the ‘Theatre Picasso’ exhibition at Tate modern, which I see on October 21st 2025. There is nearly always a debate these days – though perhaps there always was before … More What could I do more of? I could allow art and ways of seeing it to challenge me more: a preview of what I expect from the ‘Theatre Picasso’ exhibition at Tate modern, which I see on October 21st 2025.

‘“Twa Boabs”, the man laughs. “A matching pair!”’ You wait forever for a queer Ayrshire Scottish artist intent on rivaling the phallocentric Robert Burns, then ‘Two Roberts’ come at once. This is a blog on Damian Barr (2025) ‘The Two Roberts’.

September 21, 2025

‘“Twa Boabs”, the man laughs. “A matching pair!”’[1] You wait forever for a queer Ayrshire Scottish artist intent on rivaling the phallocentric Robert Burns, then ‘Two Roberts’ come at once. This is a blog on Damian Barr (2025) The Two Roberts, Edinburgh, Canongate. The power of Damian Barr’s novel The Two Roberts lies in its … More ‘“Twa Boabs”, the man laughs. “A matching pair!”’ You wait forever for a queer Ayrshire Scottish artist intent on rivaling the phallocentric Robert Burns, then ‘Two Roberts’ come at once. This is a blog on Damian Barr (2025) ‘The Two Roberts’.

Seeing the Gary Clarke Company embody the way that history in which my husband and me were involved flashes before our eyes – intense pleasure, pain and the value of contemplating past darkness in times moving apace to times of potentially greater darkness.

September 17, 2025

Seeing the Gary Clarke Company embody the way that history in which my husband and me were involved flashes before our eyes – intense pleasure, pain and the value of contemplating past darkness in times moving apace to times of potentially greater darkness. The publicity told us that ‘Detention is a powerful new dance theatre … More Seeing the Gary Clarke Company embody the way that history in which my husband and me were involved flashes before our eyes – intense pleasure, pain and the value of contemplating past darkness in times moving apace to times of potentially greater darkness.