Steve_Bamlett_blog

In an interview in Wired with Christopher Nolan prior to the release of his and Emma Thomas’s film Oppenheimer, Maria Streshinsky cited Nolan speaking in the December 2014 issue of WIRED which the film-director himself guest-edited, this statement: “The relationship between storytelling and the scientific method fascinates me. It wasn’t really about an intellectual understanding. … More Christopher Nolan once said: “The relationship between storytelling and the scientific method fascinates me. It wasn’t really about an intellectual understanding. It was a feeling of grasping something”. This blog examines ‘Oppenheimer’ seen on Friday 21st July (release day).

There are some novels that tackle queer life performance head on without reducing it to the absurdity our enemies see in us. The Foghorn Echoes is one such novel which combines a take of the global sources of the traumatic experience of its characters; the product of civil and religious wars, decayed institutions, even those … More There are some novels that tackle queer life performance head on without reducing it to the absurdity our enemies see in us. This blog is a review of Danny Ramadan (2023) ‘The Foghorn Echoes’. Info @TheDannyRamadan

‘I feel myself at some undefined point, insane for my own safety and wanting to hide’.[1] Love, Leda (written probably in 1965 but only just published) is a not a novel about the repression of gay male identity in the 1960s and its consequences in anomie, mental ill health, and suicide, though, of course, it … More ‘I feel myself at some undefined point, insane for my own safety and wanting to hide’. ‘Love, Leda’ by Mark Hyatt (written probably in 1965 but only just published) is a not a novel about the repression of gay male identity in the 1960s and its consequences in anomie, mental ill health, and suicide, though, of course, it is that too. At its heart is the concept of the ‘truest non-loving lover’; because it is a term impossible to define outside of those questions.

‘Books are difficult to tidy. … They resist’.[1] In this blog I say that in his latest book, Ian McEwan returns to form by asking as directly as a novel can how significant art might be attained out of the mess of the politics, ethics and socio-cultural and individual lives of generations of people of … More ‘Books are difficult to tidy. … They resist’. Ian McEwan returns to form by asking as directly as a novel can how significant art might be attained out of the mess of the politics, ethics and socio-cultural and individual lives of generations of people of our current time and age. This is a blog on Ian McEwan (2022) ‘Lessons’ as, perhaps, a new ‘spirit of the Age’[2].

Source: By http://www.smith.edu/libraries/libs/rarebook/exhibitions/images/penandpress/large/15c_bta.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=19429923 In Virginia Woolf’s Between the Acts (https://en.wikipedia.org/wiki/Between_the_Acts), the crisis of the life of Miss La Trobe, the creator of a pageant of English life that ends by turning a literal mirror of their life takes place in reflection afterwards in the village pub of the events in and between … More Between the Blogs

‘On not finishing. … Like the person who does not say goodbye, but instead exits untainted by valediction. Of course they could finish but they choose simply to stop. And only afterward do you come to realize the transitory was in fact the terminus, the passage the limit, the process the finale. Little did you … More ‘On not finishing. … Like the person who does not say goodbye, but instead exits untainted by valediction.’ This is a blog on Christopher Neve (2023) ‘Immortal Thoughts: Late Style in a Time of Plague’.

untitled f*ck m*ss s**gon play is a very intense examination of the images and stereotypes that justify the Western racist values we name orientalism and which lodge in the memory, especially of women, but it is also a very funny play in which some of the victims of the sexual imperialism of the West impacts … More This is a blog-review on Lee Kimber (2023) ‘untitled f*ck m*ss s**gon play’ performed at Manchester Royal Exchange.