Steve_Bamlett_blog

‘The edge is where I’m from. It’s my home’.[1] From an autobiographical account of recovery containing encounters with representations of worlds considered as both real and only liminally so to the making of performance-oriented art forms. Preparing to see a performed adaptation of Amy Liptrot’s ‘The Outrun’ by reading the book. Sometimes a memoir’s significance hangs … More ‘The edge is where I’m from. It’s my home’. Preparing to see a performed adaptation of Amy Liptrot’s ‘The Outrun’ by reading the book.

Gifted with this picture, Joanne, that laughterBonding mother’s cheer with daughter hereafter. Acrostic! you silly thing!So let concrete verse take wing Joanne, let my caring love, see you safe Over bridges where danger flows beneathAnd praise those careful steps across the heathNo person treads without storms, skin will chafeNow and thin in inclement weather, But … More An acrostic and a concrete verse with wings, for dear friend, Joanne, and daughter (as promised in a foolish moment).

Parody, pastiche, play and fun are probably enough. But Ferdia Lennon’s (2024) Glorious Exploits has more; a haunting desire to find fixed identities of sex/gender, sexuality, family and nationhood wanting. My blog states the case for liking this novel differently. Anna Bonet, the Senior Writer at the i newspaper argues that if ‘novels that re-imagine … More Parody, pastiche, play and fun are probably enough. But Ferdia Lennon’s (2024) ‘Glorious Exploits’ has more. My blog states the case for liking this novel differently.

A reflection on the Lavery On Location exhibition at the Royal Academy of Art, Scotland in Edinburgh, visited on Wednesday 14th August 2024 using reference to its catalogue: Brendan Rooney [2023] (Ed.) Lavery On Location Dublin, National Gallery of Ireland. This is a sequel to a record of the day in general which can be … More A reflection on the ‘Lavery On Location’ exhibition at the Royal Academy of Art, Scotland in Edinburgh, visited on Wednesday 14th August 2024.

A day at the Edinburgh Festival: A blog 14th August 2024 Maybe I over-prepare for my days out. Certainly, I overfill them – but it saves the longueurs of loneliness in a city. Here at least is the programme as already recorded on my phone on the 13th August. The day has arrived. I am.on … More 14th August 2024: Steven’s day at the Edinburgh Festival, a blog.

The history of which Thom Gunn was a queer part is one that is still alive but less predominant in modern queer culture, except in enclaves where the most  important thing for a queer man is asserting that their queer identity still makes them MEN in essence, even if they also believe that being a … More ‘Stripped to indifference at the turns of time’ (1): Thom Gunn, life, love, and even poetry, in queer history. This blog reflects on Michael Nott (2024) ‘Thom Gunn: A Cool Queer Life’. 

‘There’s the Greek word ekphrasis, the literary description of an image, the visual made verbal – often in a way as to vivify and dramatise that image. Ekphrasis, in its verb form, means to ‘proclaim or call an inanimate objects by name’. Samantha Harvey says she wanted to ‘call up’ that object, ‘the earth’ and … More ‘Call up’ that object, ‘the earth’ and make out of its silence otherwise on the page ‘thunder and music’. This is a blog on Samantha Harvey (2024 paperback ed.) ‘Orbital’.