Working notes On Bishop (2012) ‘Artificial Hells’
Bishop, C. (Ed.) (2012) Artificial Hells: Participatory Art and the Politics of Spectatorship London & New York, Verso (references to Kindle ed. – uses Loc. Numbers not pages). Introduction & Ch. 1. ARGUMENT Bishop defines ‘participatory art’ to include all artistic phenomena related to an ‘expanded field of post-studio practices’, including those named socially engaged … More Working notes On Bishop (2012) ‘Artificial Hells’
