An extract from writing on vorticism & crowds.
For Bomberg being ‘Partizan’ took the self-identifying form of the masses representing the Jewish diaspora. Bomberg’s criss-cross-patterns ‘over the surface of a page’ represent the violence and excitement of diaspora Whitechapel as much as stylistic innovation focused upon by a Leeds City Gallery curator.[1] Jewish Theatre (1913-14) is ‘a violent image’,[2] eschewing ‘harmony’ and ‘unity’ … More An extract from writing on vorticism & crowds.



