Steve_Bamlett_blog

An update blog on seeing Good by C.P. Taylor on Thursday 20th April 2023 7.00 p.m. A post viewing update on ‘C.P. Taylor’s Good livestreamed from London’s Harold Pinter Theatre to The Gala Theatre, Durham (and nationwide various venues) with reference to text: C.P. Taylor Good (2022, first produced by the RSC in 1981) London, New York, New Delhi … More An update blog on seeing ‘Good’ by C.P. Taylor on Thursday 20th April 2023 7.00 p.m.

An update blog on seeing Dancing at Lughnasa by Brian Friel on Monday 17th April 2023 7.30 p.m. This is an update of relevant text in past bog: Visiting London: A Preview of the Highlights on my visit with Justin from Monday 17th – Wednesday 19th April 2023! See: https://stevebamlett.home.blog/2023/02/18/visiting-london-a-preview-of-the-highlights-on-my-visit-with-justin-from-monday-17th-wednesday-19th-april-2023/ In my preview blog I said that … More An update blog on seeing ‘Dancing at Lughnasa’ by Brian Friel on Monday 17th April 2023 7.30 p.m.

Alan Bennet’s play Allelujah, a fable on the institutionalisation (and misgovernance) of love, death, and the NHS, as captured on film deserves more than to be called ‘sweet but slight’.[1]: A blog on Allelujah (2022) with screenplay by Heidi Thomas and directed by Richard Eyre. The film poster It may be unfair to pick out Peter … More Alan Bennet’s play ‘Allelujah’, a fable on the institutionalisation (and misgovernance) of love, death, and the NHS, as captured on film deserves more than to be called ‘sweet but slight’: A blog on ‘Allelujah’ (2022) with screenplay by Heidi Thomas and directed by Richard Eyre.

Max Porter’s Shy has its ‘eyes closed, / waiting for another day’[1]: A blog on Max Porter (2023) Shy London, Faber & Faber. Book cover I was looking forward so much to the new Max Porter work, even more so from the enthusiastic ‘blurb’ commentaries that many writers give to the work, praising its ‘visceral authenticity’ and claiming that … More Max Porter’s Shy has its ‘eyes closed, / waiting for another day’: A blog on Max Porter (2023) ‘Shy’.

‘The leaves of the plane trees were turning, and made faint dry rustling sounds when a breeze passed through them. Strafford found himself longing for the dense, drooping heaviness of summer foliage‘.[1] Reflecting on John Banville’s (2023) ‘The Lock-Up’ London, Faber. Book Cover When novelists you like start writing novels in a serial form, it takes … More ‘The leaves of the plane trees were turning, and made faint dry rustling sounds when a breeze passed through them. Strafford found himself longing for the dense, drooping heaviness of summer foliage‘. Reflecting on John Banville’s (2023) ‘The Lock-Up’.

‘I myself dislike to be dictated to by anybody and am inclined, like Thucydides and others of his time, to be an anarch, or “agin the government” and the lust for, and abuse of, power which invariably goes with it’.[1] Man-made mythic men: the queer case of the ‘rebel without a cause’: an irreverent (and … More ‘I myself dislike to be dictated to by anybody and am inclined, like Thucydides and others of his time, to be an anarch, or “agin the government” and the lust for, and abuse of, power which invariably goes with it’. Man-made mythic men: the queer case of the ‘rebel without a cause’: an irreverent (and possibly scurrilous) case study of Augustus John (4 January 1878 – 31 October 1961) .

The joy of collecting books is the chance find that opens doors that that were  not even left ajar in expectation of those unknown  treasures. This blog reflects on finding a catalogue for an exhibition of  Patrick Procktor’s paintings from 1989. In the light of an earlier blog on Ian Massey’s (2010) fine biography entitled … More The joy of collecting books is the chance find that opens doors that that were  not even left ajar in expectation of those unknown  treasures. This blog reflects on finding a catalogue for an exhibition of  Patrick Procktor’s paintings from 1989. In the light of an earlier blog on Ian Massey’s (2010) fine biography entitled ‘Patrick Procktor: Art and Life’ I reflect on Michael Nixon’s (1989) ‘Patrick Procktor Paintings 1959 – 1989’.

‘Since Rodin’s death, Gwen no longer needed to make an inviting space to entice a lover – this interior sounds as bare as my own’.[1] This blog examines the uninviting space into which only ‘absent presences’ may enter.[2] It is a very subjective reflection on power, sexuality and sex/gender in Celia Paul’s (2022) Letters to … More ‘Since Rodin’s death, Gwen no longer needed to make an inviting space to entice a lover – this interior sounds as bare as my own’. This blog examines the uninviting space into which only ‘absent presences’ may enter. It is a very subjective reflection on power, sexuality and sex/gender in Celia Paul’s (2022) ‘Letters to Gwen John’.

‘Could we all be living in our own fictions?’[1]  This blog deals with a novel that evades identity politics and deconstructs black queer lives as if it were a work of phenomenological, existential, and psychoanalytically inspired philosophy. It is nevertheless a wonderful read. It is a blog on David Santos Donaldson (2021) Greenland: a novel … More ‘Could we all be living in our own fictions?’ This blog deals with a novel that evades identity politics and deconstructs black queer lives as if it were a work of phenomenological, existential, and psychoanalytically inspired philosophy. It is nevertheless a wonderful read. It is a blog on David Santos Donaldson (2021) ‘Greenland: a novel’.

‘Men sprawled over each other. In the hypermasculine atmosphere of war, they were not overly concerned with manliness’.[1] This blog focuses on the treatment of sex and /or love between boys who become men in a time of international war, with a discursion into presentation of those themes as poetry. This blog is on Alice … More ‘Men sprawled over each other. In the hypermasculine atmosphere of war, they were not overly concerned with manliness’. This blog focuses on the treatment of sex and /or love between boys who become men in a time of international war. This blog is on Alice Winn (2023) ‘In Memoriam’.

Reactions to performances of The Merchant of Venice 1936 seen at Theatre 1, HOME on Thursday 16th March 2023 2.00 p.m. in Manchester and Othello by RSC Livestreaming on Thursday 23rd February 2023. Catching up with ‘The Elephants in the Room’. An update of the blog at: https://stevebamlett.home.blog/2023/02/12/the-elephants-in-the-room-racism-in-the-british-artistic-heritage-this-blog-written-to-prepare-me-to-see-new-productions-of-othello-national-theatre-live-str/ This is a catch up on an … More Reactions to performances of ‘The Merchant of Venice 1936’ seen at Theatre 1, HOME in Manchester and Othello by RSC Livestreaming. Catching up with ‘The Elephants in the Room’.

‘He had a sudden strong desire to tell his story to someone, as long as it was to someone without ears. … Billy and June would have different versions. They were sort of uncompleted chapters, and even when he put them together in his own mind it was hard to find where they joined. Even … More ‘He had a sudden strong desire to tell his story to someone, as long as it was to someone without ears. … Billy and June would have different versions. They were sort of uncompleted chapters, and even when he put them together in his own mind it was hard to find where they joined. Even to believe half of it. But he was obliged to believe it. Because in the first instance a witness should be believed. … He felt he should believe – believe himself’. Stories are not evidence of the truth, are they? But if they aren’t why do we need them? This blog is on Sebastian Barry (2023) ‘Old God’s Time’.