‘We’ll tek our mighty stance again’: Looking at Alex Wheatle (2020) Cane Warriors London, Andersen Press Ltd.

‘We’ll tek our mighty stance again’: Looking at Alex Wheatle (2020) Cane Warriors London, Andersen Press Ltd. It’s possible that this novel will never be considered for major prizes in literary fiction, like the Booker, since it is written, as Jimi Famurewa says in his interview with the author for The Guardian as ‘a taut, … More ‘We’ll tek our mighty stance again’: Looking at Alex Wheatle (2020) Cane Warriors London, Andersen Press Ltd.

‘exteroceptive consciousness is predictive work in progress, the aim of which is to establish ever deeper (more certain, less conscious) predictions as to how needs may be resolved’. Reflecting on Mark Solms (2021) ‘The Hidden Spring: A Journey to the Source of Consciousness’ & a FutureLearn course by Mark Solms and The University of Cape Town What Is A Mind? Just completed (25/06/21).

Subject to another revision perhaps ‘exteroceptive consciousness is predictive work in progress, the aim of which is to establish ever deeper (more certain, less conscious) predictions as to how needs may be resolved’.[1] Reflecting on Mark Solms (2021) The Hidden Spring: A Journey to the Source of Consciousness London, Profile Books Ltd.  & a FutureLearn … More ‘exteroceptive consciousness is predictive work in progress, the aim of which is to establish ever deeper (more certain, less conscious) predictions as to how needs may be resolved’. Reflecting on Mark Solms (2021) ‘The Hidden Spring: A Journey to the Source of Consciousness’ & a FutureLearn course by Mark Solms and The University of Cape Town What Is A Mind? Just completed (25/06/21).

Graphic Reflections on Dante’s Inferno in 1930s USA. Steve reflecting on the Original Art Edition of Art Young’s 1934 ‘Inferno’ republished in 2020 by Fantagraphic Books, Seattle.

Graphic Reflections on Dante’s Inferno in 1930s USA. Steve reflecting on the Original Art Edition of Art Young’s 1934 Inferno republished in 2020 by Fantagraphic Books, Seattle. I feel strange about how and why I bought this book. I have a friend who loves graphic novels and I was keen to find a supplement for … More Graphic Reflections on Dante’s Inferno in 1930s USA. Steve reflecting on the Original Art Edition of Art Young’s 1934 ‘Inferno’ republished in 2020 by Fantagraphic Books, Seattle.

‘… a time of demonstrations and counter-demonstrations, of angry bodies assembling in the streets’. Reflecting on Olivia Laing (2021) ‘Everybody: A Book about Freedom’

‘… a time of demonstrations and counter-demonstrations, of angry bodies assembling in the streets’.[1] Reflecting on Olivia Laing (2021) Everybody: A Book about Freedom London, Picador [Pan Macmillan] – UK edition; New York & London, W.W. Norton & Company Ltd. – USA edition. Sometimes the simplest ideas get neglected – like that holding Olivia Laing’s … More ‘… a time of demonstrations and counter-demonstrations, of angry bodies assembling in the streets’. Reflecting on Olivia Laing (2021) ‘Everybody: A Book about Freedom’

‘… instead lean over the mouth of a sewer, convincing yourself you are breathing in a flowerbed’; ‘the swiftness of flight without the materiality of the wings … without incarnating it in a body’. Reflecting on Marcel Proust (translated by Charlotte Mandell) (2021) ‘The Mysterious Correspondent: New Stories’

Note: Revised 25th June. I am inclined to think better of this piece now. ‘… instead lean over the mouth of a sewer, convincing yourself you are breathing in a flowerbed’;[1] ‘the swiftness of flight without the materiality of the wings … without incarnating it in a body’.[2] Reflecting on Marcel Proust (translated by Charlotte … More ‘… instead lean over the mouth of a sewer, convincing yourself you are breathing in a flowerbed’; ‘the swiftness of flight without the materiality of the wings … without incarnating it in a body’. Reflecting on Marcel Proust (translated by Charlotte Mandell) (2021) ‘The Mysterious Correspondent: New Stories’

‘WE HOLD CERTAIN ELEMENTS IN TENSION’. Making a ‘comic’ out of a ‘tragedy’: drawing from inexplicable pain and blaming? Struggling to critique but thoroughly loving Rosanna Bruno with text by Anne Carson (2021) Euripides, ‘The Trojan Women: A Comic’. REVISED 21st June 2021.

‘WE HOLD CERTAIN ELEMENTS IN TENSION’.[1] Making a ‘comic’ out of a ‘tragedy’: drawing from inexplicable pain and blaming? Struggling to critique but thoroughly loving Rosanna Bruno with text by Anne Carson (2021) Euripides, the Trojan Women: A Comic Hexham, Bloodaxe Books For another blog on versions of the story of Troy in the work … More ‘WE HOLD CERTAIN ELEMENTS IN TENSION’. Making a ‘comic’ out of a ‘tragedy’: drawing from inexplicable pain and blaming? Struggling to critique but thoroughly loving Rosanna Bruno with text by Anne Carson (2021) Euripides, ‘The Trojan Women: A Comic’. REVISED 21st June 2021.

Optional Assignment 2 on confabulation: Course on What is a Mind? University of Cape Town course on FutureLearn:.

Optional Assignment 2 on confabulation: Course on What is a Mind? University of Cape Town course on FutureLearn:. Instructions: For this assignment we are asking you to produce a short piece of writing (300-500 words) on confabulation. It is a topic of great curiosity likely because a confabulation is not deliberate or conscious. After you … More Optional Assignment 2 on confabulation: Course on What is a Mind? University of Cape Town course on FutureLearn:.

‘SO WILL FALL // whose fault? / Paradise Lost Book 3’.[1] Whence queer poetry? Reflecting on Andrew McMillan (2021) ‘pandemonium’. Forgive misunderstandings and any gaucheness @AndrewPoetry

‘SO WILL FALL // whose fault? / Paradise Lost Book 3’.[1] Whence queer poetry? Reflecting on Andrew McMillan (2021) pandemonium London, Jonathan Cape, Penguin Random House. Forgive misunderstandings and any gaucheness @AndrewPoetry Front cover For other Andrew McMillan based blogs of mine see list at end. I think when queer poetry takes on Milton it … More ‘SO WILL FALL // whose fault? / Paradise Lost Book 3’.[1] Whence queer poetry? Reflecting on Andrew McMillan (2021) ‘pandemonium’. Forgive misunderstandings and any gaucheness @AndrewPoetry

Reprise of a poem about my mum as a ‘mill-girl’ in a mill off Boys Lane in Halifax. I think but I am not sure, it’s the one in the photo.

My mother donned her glasses And read a poem in a singsong Way; that taught in school Off Boy’s Lane, Halifax, near the mill That worked out her bones. The voice she had now’s gone And its cracked resistance To the world, now shouts from Banners of the Right unfurled But they are wrong. Fear … More Reprise of a poem about my mum as a ‘mill-girl’ in a mill off Boys Lane in Halifax. I think but I am not sure, it’s the one in the photo.

‘…: He came each night to avoid the eyes of everyone who wanted him … . The gossips said he refused to sleep with people because he had a small penis – the leprosy of homosexuals – …’ . Reflecting on art and penis size in ‘dick lit’ with a focus on Andrew Holleran’s (1979) ‘Dancer from The Dance’

‘…: He came each to avoid the eyes of everyone who wanted him … . The gossips said he refused to sleep with people because he had a small penis – the leprosy of homosexuals – but this explanation was mundane: He wanted to keep this life in the realm of the perfect, the ideal. … More ‘…: He came each night to avoid the eyes of everyone who wanted him … . The gossips said he refused to sleep with people because he had a small penis – the leprosy of homosexuals – …’ . Reflecting on art and penis size in ‘dick lit’ with a focus on Andrew Holleran’s (1979) ‘Dancer from The Dance’

‘ …, if the wider tone of [A.E. Housman’s] oration was designed to get up the noses of those in his audience, it seems to have worked …’ What our current Poet Laureate is and what he is not. Reflecting on Simon Armitage (2021) ‘A Vertical Art: Oxford Lectures’ London, Faber & Faber Ltd.

‘But even when Housman was trying to be as disagreeable as possible, it’s difficult not to agree with some of his observations. … . …, if the wider tone of his oration was designed to get up the noses of those in his audience, it seems to have worked: either F.R. Leavis or I.A. Richards … More ‘ …, if the wider tone of [A.E. Housman’s] oration was designed to get up the noses of those in his audience, it seems to have worked …’ What our current Poet Laureate is and what he is not. Reflecting on Simon Armitage (2021) ‘A Vertical Art: Oxford Lectures’ London, Faber & Faber Ltd.