‘[The moon rises at back, mounts in the sky, stands still, shedding a pale light on the scene.]’ In the Theatre Royal Haymarket production of ‘Waiting for Godot’, is the unlabelled moonlight compensation enough for an absenting a visible moon?
I looked at the play Waiting for Godot in an earlier blog (available at this link). I often do this, preparing myself by looking at my expectations of a production based on knowledge of its text and the prognostications of such critical review material of the actual production that I have seen. It amuses me … More ‘[The moon rises at back, mounts in the sky, stands still, shedding a pale light on the scene.]’ In the Theatre Royal Haymarket production of ‘Waiting for Godot’, is the unlabelled moonlight compensation enough for an absenting a visible moon?
![‘[The moon rises at back, mounts in the sky, stands still, shedding a pale light on the scene.]’ In the Theatre Royal Haymarket production of ‘Waiting for Godot’, is the unlabelled moonlight compensation enough for an absenting a visible moon?](https://i0.wp.com/livesteven.com/wp-content/uploads/2024/10/image-15.png?resize=365%2C365&ssl=1)





![This blog prepares me for the first exhibition of Bacon devoted solely to the concept of portraiture with the help of Rosie Broadley (ed.) [2024] ‘Francis Bacon: Human Presence’.](https://i0.wp.com/livesteven.com/wp-content/uploads/2024/10/image-163.png?resize=365%2C365&ssl=1)




