‘Is that how you look at paintings? I asked. Do you take them purely on their own terms, or are you looking for signs of the hand that created them? It’s both and you know it, she said’. The hand of the auteur in art and issues in the control of queered sexuality and life-choice. Reflecting on Niven Govinden’s (2021) ‘Diary of a Film’
‘Is that how you look at paintings? I asked. Do you take them purely on their own terms, or are you looking for signs of the hand that created them? It’s both and you know it, she said’.[1] The hand of the auteur in art and issues in the control of queered sexuality and life-choice. … More ‘Is that how you look at paintings? I asked. Do you take them purely on their own terms, or are you looking for signs of the hand that created them? It’s both and you know it, she said’. The hand of the auteur in art and issues in the control of queered sexuality and life-choice. Reflecting on Niven Govinden’s (2021) ‘Diary of a Film’





![‘There is an odd but revealing phrase – ‘in the flesh’ – for seeing art in reality, not reproduction’.[1] What do we ‘pursue’ in the ‘pursuit’ of objects of art. Reflections on Martin Gayford’s (2019) ‘The Pursuit of Art’](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/05/image-16.png?resize=314%2C365&ssl=1)



![‘I see him. Thomas Müntzer! And he is no longer the little Thomas of before, … the son of the dead man, no longer even an object of study’ he is a man, any fleeting life’. What or whom is the subject of Éric Vuillard’s ‘The War of the Poor’? Reflection on Éric Vuillard [trans. by Mark Polizotti] (2021) ‘The War of the Poor’](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/04/image-55.png?resize=308%2C365&ssl=1)
