‘Queer people have a particular stake in the question of paradise. …. not as a false paradise, or a paradise lost, but as an extant changing site, alive and livable, suspended in the present of a shared moment, and still ripe for rewriting’.[1] Do places have biographies as well as histories, inner lives and the … More ‘Queer people have a particular stake in the question of paradise’. Do places have biographies as well as histories, inner lives and the stuff of changes that occur in time tempered by reflection as well as circumstance? The case of Fire Island as see by Jack Parlett in ‘Fire Island: Love, Loss and Liberation in an American Paradise’.

The Credit Suisse Exhibition, Lucian Freud: New Perspectives is, according to Laura Cumming in The Observer the artist ‘stripped bare: …. No emphasis on the biography, behaviour or love life; no abasement before genius, just the revelation of the paintings as works of art to celebrate the centenary of Freud’s birth. …  Freud’s portraits can … More The Credit Suisse Exhibition ‘Lucian Freud: New Perspectives’ is, according to Laura Cumming ‘the artist ‘stripped bare: …. Freud’s portraits can speak for themselves’. This blog starts by musing upon the nature of mainstream media art reviews but is intended mainly to contain my thoughts prior to visiting the exhibition. It is done after reading the catalogue by Daniel F. Hermann (Ed.) named ‘Lucian Freud: New Perspectives’

According to Caitlin Haskell, writing in the catalogue for the Tate Modern EY Cézanne exhibition in 2022, the Refusés (artists such as Cézanne, Manet and Pissarro) ‘interrogated and laid open fundamental aspects of picture-making – colour, facture, finish, resolution, subject matter, cropping, compositional structure, … –  to a degree that painting itself became a critical … More According to Caitlin Haskell, the ‘Refusés’ (artists such as Cézanne, Manet and Pissarro) ‘interrogated and laid open fundamental aspects of picture-making – colour, facture, finish, resolution, subject matter, cropping, compositional structure, … –  to a degree that painting itself became a critical pursuit simultaneous with its creative and aesthetic ends’. This blog contains my thoughts prior to visiting the exhibition in London after perusing the catalogue by Achim Borchardt-Hume, Gloria Groom, Caitlin Haskell & Natalia Sidlina (Eds.) named ‘Cézanne’.

‘… how there’s still a kindae / fuckin serious / / as fuck / splendour / / tae every minute ay aw ay this? ’[1] This blog contains my personal views of Jenni Fagan’s (2022) The Bone Library Edinburgh, Polygon. Jenni Fagan’s single works reflect on each other. This is not because she writes on … More ‘… how there’s still a kindae / fuckin serious / / as fuck / splendour / / tae every minute ay aw ay this? ’This blog contains my personal views of Jenni Fagan’s (2022) The Bone Library Edinburgh, Polygon.

‘The material was haphazardly arranged, but that only added, I thought, to the authenticity of what she had to say. / Within a few days, however, I had convinced myself that I was the victim of a prank’.[1]This blog contains my personal views of Graeme Macrae Burnet’s (2022 paperback edition. First publ. 2021) Case Study … More ‘The material was haphazardly arranged, but that only added, I thought, to the authenticity of what she had to say. / Within a few days, however, I had convinced myself that I was the victim of a prank’. This blog contains my personal views of Graeme Macrae Burnet’s (2022 paperback edition. First publ. 2021) ‘Case Study’ Glasgow, Saraband. REFLECTIONS on BOOKER LONGLIST 2022

‘Inside, the heat of the room pushes down from the ceiling and this is a different kind of bodies on bodies: these one grind and, instead of joy, there is much wanting … We’re all wanting something, though; most of us replacing what we really want with skin, which works until you wake up and … More ‘Inside, the heat of the room pushes down from the ceiling and this is a different kind of bodies on bodies: these one grind and, instead of joy, there is much wanting … We’re all wanting something, though; most of us replacing what we really want with skin, which works until you wake up and the mirror is a blur of time twisting around the throat.’ This blog is about a novel that ought to have been shortlisted but was not: Leila Mottley (2022) ‘Night Crawling.’ BOOKER REFLECTIONS ON LONGLIST 2022.

‘He found it all depressing; not that lynching could be anything but. However, the crime, the practice, the religion of it, was becoming more pernicious as he realized that the similarity of their deaths had caused these men to be at once erased and coalesced like one piece, like one body. They were all number … More ‘He found it all depressing; not that lynching could be anything but. … However, the crime, the practice, the religion of it, was becoming more pernicious as he realized that the similarity of their deaths had caused these men to be at once erased and coalesced like one piece, like one body. They were all number and no number at all, many and one, a symptom, a sign.’ This blog is about Percival Everett (2022) ‘The Trees: a Novel ’.

‘She had written a secret book, … a book about a young man called Julian who was in hiding, disguised as a girl called Julienne, in a similar place. … And how did the story progress, asked the Djinn,.., how did you resolve it? I could not, said Dr Perholt. It seemed silly, in writing, … More ‘She had written a secret book, … a book about a young man called Julian who was in hiding, disguised as a girl called Julienne, in a similar place. … And how did the story progress, asked the Djinn,.., how did you resolve it? I could not, said Dr Perholt. It seemed silly, in writing, I could see it was silly. … the more realism I tried to insert into what was really a cry of desire – for nothing specific – the more silly my story.’ This blog is about ‘Three Thousand Years of Longing’, the 2022 film. It also uses the text of the original story by A.S. Byatt (1994) “The Djinn in the Nightingale’s Eye”

‘He is always feeling his way into a new role. … Every time he wakes it’s like the first morning on earth. … He is perpetually new. I know there is a lot of suffering that comes from that too. I can only imagine. But I think there is something fulfilling () for all of … More ‘I think there is something fulfilling () for all of us in being able to make ritual use of forgetting and remembering.’ This blog concerns the play ‘This Is Memorial Device’ based on David Keenan’s (2017) ‘This Is Memorial Device: An Hallucinated Oral History of the Post-Punk Scene in Airdrie, Coatbridge and Environs 1978 – 86’ and play based on it seen at Edinburgh International Book Festival on August 26th 2022. To @JustinCurley4.

‘He erected his easel … and turned it almost perpendicular to the window, angling it to catch the light without casting shadow.’[1] This is a blog on the ownership of figurative Art and the politics of ‘colonisation’. The blog concerns Audrey Magee’s (2022) The Colony London, Faber. Note that it CONTAINS SPOILERS: so do not … More ‘He erected his easel … and turned it almost perpendicular to the window, angling it to catch the light without casting shadow.’ The blog concerns Audrey Magee’s (2022) The Colony London, Faber. Note that it CONTAINS SPOILERS: so do not read if you do not like that: BOOKER REFLECTIONS ON LONGLISTLIST 2022.

In 1893 the ‘critic R.A. M. Stevenson observed’: “I feel the real lover of pictures preserves them from dangerous encounters. … he jealously guards his pictures from improper companions and riotous debauches and untrammelled colour”.[1] This blog examines why art galleries are looking again at the tastes of the private and institutional collectors of art … More In 1893 the ‘critic R.A. M. Stevenson observed’: “I feel the real lover of pictures preserves them from dangerous encounters. … he jealously guards his pictures from improper companions and riotous debauches and untrammelled colour”. This blog reflects on an 2022 exhibition at the Scottish National Gallery and the catalogue of the exhibition: Francis Fowle (Ed.) [2021] ‘The Impressionist Era: The Story of Scotland’s French Masterpieces’