The history of which Thom Gunn was a queer part is one that is still alive but less predominant in modern queer culture, except in enclaves where the most  important thing for a queer man is asserting that their queer identity still makes them MEN in essence, even if they also believe that being a … More ‘Stripped to indifference at the turns of time’ (1): Thom Gunn, life, love, and even poetry, in queer history. This blog reflects on Michael Nott (2024) ‘Thom Gunn: A Cool Queer Life’. 

‘There’s the Greek word ekphrasis, the literary description of an image, the visual made verbal – often in a way as to vivify and dramatise that image. Ekphrasis, in its verb form, means to ‘proclaim or call an inanimate objects by name’. Samantha Harvey says she wanted to ‘call up’ that object, ‘the earth’ and … More ‘Call up’ that object, ‘the earth’ and make out of its silence otherwise on the page ‘thunder and music’. This is a blog on Samantha Harvey (2024 paperback ed.) ‘Orbital’.

‘To be a witness, to stand alongside, simply to have lived through these strange, beautiful appalling times, to have been a night-light, a mirror, a support – ….’. [1] This is a blog on Claire Messud (2024) This Strange Eventful History: A Novel London, Fleet. Perhaps, one ought to be alert to the strangeness of … More ‘To be a witness, to stand alongside, simply to have lived through these strange, beautiful appalling times, to have been a night-light, a mirror, a support – ….’. This is a blog on Claire Messud (2024) This Strange Eventful History: A Novel’

In interview available in the DVD version of this film, Wim Wenders says that ‘Too much story is a disaster’. That is because, as he suggests in an interview available with the recently published DVD, too obvious manipulation of plot  interferes with the process of an audience being able to  ‘enter into’ the filmic artists … More This blog is an attempt to understand why Wim Wenders thinks ‘Too much story is a disaster’ in speaking of his film ‘Perfect Days’ (2023), starring the wondrous Koji Yakusho.

CONTAINS SPOILERS! “…, what’s the point of having good things if you can’t touch them?” And Isabel would answer: “They are not for touching. They are for keeping.”[1] The Safekeep is well titled since it is a book about why we attempt to guard from others those things we find most precious, keeping them locked … More ‘The Safekeep’ is well titled since it is a book about why we attempt to guard from others those things we find most precious, keeping them locked from the touch of strangers. This is a blog on Yael Van Der Wouden (2024) The Safekeep: A Novel

Charlotte Wood told ABC News in Australia that, for her, writing is a vocation. “There is something sacred … or holy about it. When you’re fully engaged in it, when you’re fully absorbed in the practice of it, there is an almost prayer-like aspect”.[1] I think only Iris Murdoch has worked with materials of moral … More Charlotte Wood says, “There is something sacred … or holy about [writing]. When … you’re fully absorbed in the practice of it, there is an almost prayer-like aspect”. This is a blog on Charlotte Wood (2023) ‘Stone Yard Devotional’.

Rita Bullwinkel seeks for something in the progression of women’s competitive sport which  does not involve a ‘feeling of whittling, of a group of many reduced to a single champion, but’ rather ‘the feeling of accumulation’.[1]  This is a blog on Rita Bullwinkel (2024) Headshot London, Daunt Press. This is a superbly written book with … More Not a ‘feeling of whittling, of a group of many reduced to a single champion, but’ rather ‘the feeling of accumulation’. This is a blog on Rita Bullwinkel (2024) ‘Headshot’.