This is a blog that reflects on a fine biography, perhaps the best I have ever read of anyone, of Frantz Fanon. The book is Adam Shatz (2024) The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon London, Head of Zeus, Bloomsbury Publishing Co. Frantz Fanon has fascinated me for a long time. I can’t … More This is a blog that reflects on a fine biography, perhaps the best I have ever read of anyone. The book is Adam Shatz (2024) ‘The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon’.

‘History is all omissions and distortions of the truth’.[1] Would there be any point in writing a novel using evidence of facts from queer history, if the truth was easily sifted from the lies? This is a very brief blog on Neil Blackmore (2023: 272) Radical Love London, Hutchinson. This blog is just a speculation … More ‘History is all omissions and distortions of the truth’. Would there be any point in writing a novel using evidence of facts from queer history, if the truth was easily sifted from the lies? This is a very brief blog on Neil Blackmore (2023: 272) ‘Radical Love’

This is blog is about seeing the Southbank Hayward Gallery’s modern historical and contemporary sculpture  exhibition on 21st January 2024 When Forms Come Alive. This is the second follow-up blog to one introducing my day trip: For other parts use links here: Part 1 General Introduction & Part 2: On Auerbach’s Charcoal Heads The Hayward Gallery … More This is blog is about seeing the Hayward Gallery’s sculpture  exhibition on 21st January 2024 ‘When Forms Come Alive’.

Part 2 of a two-part blog about Andrew Scott’s achievement in enacting all the multiple personae of Vanya, as aspects of the solitary and solipsistic self, perhaps (or perhaps not). (Part 1 was about preparing myself for the novelties of the Simon Stephens’ text). Part 2 of this two-part blog about Andrew Scott’s achievement in … More Part 2 of a two-part blog about Andrew Scott’s achievement in enacting all the multiple personae of ‘Vanya’.

This is a follow-up blog to one introducing my day trip: https://livesteven.com/2024/02/21/a-day-visit-to-visit-on-21st-february-2024-to-london-to-the-courtaulds-charcoal-heads-by-frank-auerbach-to-the-haywards-when-forms-come-alive/ It will itself be followed up by one on When Forms Come Alive, an exhibition at the Hayward Gallery, Southbank. https://livesteven.com/2024/02/24/this-is-blog-is-about-seeing-the-hayward-gallerys-sculpture-exhibition-on-21st-january-2024-when-forms-come-alive/ 7‘… evocative of a wider post-war society emerging from a long period of death and destruction, had left Auerbach himself an orphan … More This is blog is about seeing Auerbach’s ‘Charcoal Heads’ exhibition on 21st January 2024 at the Courtauld Gallery.

Diary blog: A day visit to visit on 21st February 2024 to London to The Courtauld Gallery, Somerset House exhibition of Charcoal Heads by Frank Auerbach and to the Hayward modern sculpture exhibition, When Forms Come Alive. This is the Introduction blog to one introducing my day trip: For other parts use links here: Part 2: … More A day visit to visit on 21st February 2024 to London to The Courtauld’s ‘Charcoal Heads’ by Frank Auerbach & to the Hayward’s ‘When Forms Come Alive’.

…, j’échouais partout et il fallait trouver un type d’existence dans lequel un corps et une histoire comme les miens auraient été possibles, c’est tout” (translated by John Lambert as “…, I was failing everywhere and I had to find a type of existence in which a body and story like mine would be possible, … More This is a blog on Édouard Louis ‘Changer: méthode’ (2021) (‘Change’ (2024) but literally ‘To Change: Method’).