To whom is the skill or talent ‘secret’ or ‘hidden’ and why is it better hidden than in the open?

A ‘secret skill’ is coolly agreed by the AI bots on the internet to be the equivalent of a ‘hidden talent’ but, even if this is a useful equivalence  it hardly solves the main problem of what either these skills and talents are. The main issue here is: to whom is the skill or talent … More To whom is the skill or talent ‘secret’ or ‘hidden’ and why is it better hidden than in the open?

‘The poetic phrase is constantly thinking, is forever rebuilt and remade on the shifting sands of language’. Rethinking new poetry, including Oluwaseun Olayiwola’s ‘Strange Beach’ again, and now  Yomi Sode’s ‘Manorism’ [2025].

In an earlier blog post (see it at this link if you wish) about Oluwaseun Olayiwola’s Strange Beach, I ended it with a promise, or is it a threat, that: ‘I want to return to them. Maybe I will, for I have more to say of the brilliant things in Andrew McMillan’s book blurb on … More ‘The poetic phrase is constantly thinking, is forever rebuilt and remade on the shifting sands of language’. Rethinking new poetry, including Oluwaseun Olayiwola’s ‘Strange Beach’ again, and now  Yomi Sode’s ‘Manorism’ [2025].

The dignity of Labour apparently consists of this; any job that can be done by Artificial Intelligence [AI] in the future will be done by AI. This is the Starmer they admire: one who turns political planning into ways of reproducing the sound of thought and values without any need for the substance of thought or a value system.

People who promoted Keir Starmer’s leadership apparently think he is doing a ‘good job’. The Z-Gen language he and his Cabinet use has been generally a resurrection of the false hopes of Harold Wilson’s ‘the white heat of technology’, another attempt to make the politics that examines the interests actually served by power irrelevant. Both … More The dignity of Labour apparently consists of this; any job that can be done by Artificial Intelligence [AI] in the future will be done by AI. This is the Starmer they admire: one who turns political planning into ways of reproducing the sound of thought and values without any need for the substance of thought or a value system.

Each day is a chance to learn how to rely neither on what I possess, or wish to possess, and hence no longer, perhaps, to be possessed.

In her mid-career (in 1990), the mow deceased novelist A.S. Byatt wrote a novel called Possession. This novel attempted to bring together people whose actions running in parallel between two centuries learn about the values that gather around the term posession. to do so Byatt called on most of the meanings that the word ‘posession’ … More Each day is a chance to learn how to rely neither on what I possess, or wish to possess, and hence no longer, perhaps, to be possessed.

‘WIND AND SEA SOUND, vast and heavy, subside before words resume’. A reflection on Tennessee Williams.

A collage of features of the first play mentioned below, This is not my copy though it is identical and has the signature As I clear my bookshelves, cataloguing what I keep and dispensing the rest to fate, I occasionally start reading them. My collection of Tennessee Williams’ work is though sacrosanct and none will … More ‘WIND AND SEA SOUND, vast and heavy, subside before words resume’. A reflection on Tennessee Williams.

Today I found a poem.

Before you turn off completely in fear that the poem I found was actually found inside me and written out in my usual sadly mechanical verse style, I need to say that this poem, typed (clearly on a typewriter) and on flimsy looking but actually quite tough semi-transparent parchment paper (or at least this is … More Today I found a poem.

‘I eat his friends’  /                applause’: a poem on ‘a compliment’, perhaps: Oluwayseun Olayiwola’s ‘There is Nothing Like That Black Voice’

The poet is visiting Lighthouse Bookshop in Edinburgh on 11th March 7 p.m. I have enjoyed very much reading the debut volume of poetry by a new queer Black poet, Oluwayseun Olayiwola, called Strange Beach. For this blog, perhaps the first of two, I will concentrate on one poem because it centres on a compliment … More ‘I eat his friends’  /                applause’: a poem on ‘a compliment’, perhaps: Oluwayseun Olayiwola’s ‘There is Nothing Like That Black Voice’

The constituents of ‘flow’ experience suggest that loss of self and time consciousness balances facing new challenges with willingness to learn, allowing neither to rest in stasis.

Prompt questions like this assume the virtue of loss of self, and even of coordinates of such concepts in constructs like time and space. The chief architect of the development of that virtue- into a concept he claimed his research participants themselves used called ‘FLOW’ – is Mihaly Csikzentmihalyi in bis book, pictured below: I … More The constituents of ‘flow’ experience suggest that loss of self and time consciousness balances facing new challenges with willingness to learn, allowing neither to rest in stasis.

This blog discusses Santanu Bhattacharya’s 2025 wonderful queer novel, ‘Deviants’.

‘I don’t think I can write about my own life yet, but I’ve written it all down. … It’s funny how I’ve been writing stories about other people until now …’, says ‘Mambro’, the middle generation of the queer men as named by his nephew, in one Bangladeshi family. However, when Mambro told the story … More This blog discusses Santanu Bhattacharya’s 2025 wonderful queer novel, ‘Deviants’.

Celebrating the achievements of women through visibility: the means and the content of our celebration in Bishop Auckland Town Hall.

Celebrating the achievements of women through visibility: the means and the content of our celebration in Bishop Auckland Town Hall. Provincial venues continually stretch themselves as media of radical representation of supposedly silenced and supposedly invisible populations. Visibility is promoted as a political object in all kinds of ‘pride’ celebrations, that insist that the fact … More Celebrating the achievements of women through visibility: the means and the content of our celebration in Bishop Auckland Town Hall.

Motion picture storytelling at its best: Claude Berri’s story of multiple competing male obsessions in his ‘Jean de Florette’ & ‘Manon des Sources’ films.

The problem with this film is that its central female character, Manon, is a kind of symbol and not a woman. The woman who I think matters in it is not her but Florette, whose life and death of repression and flight from the shame that births her son, Jean, and who generates the film’s … More Motion picture storytelling at its best: Claude Berri’s story of multiple competing male obsessions in his ‘Jean de Florette’ & ‘Manon des Sources’ films.