Have a go at this exercise! I dare you! It is an exercise on whether we can use terms used in talking about art, in this using the term ‘style’ alone, to recognise a artist’ s work.

Me as a more-than-tubby queer angel. The title of this piece is a bit presumptuous. Too few read this blog, and very much fewer respond (though I am grateful for those who do feedback their thoughts either personally or in public) to assume anyone either wants me to set them a little experimental exercise or … More Have a go at this exercise! I dare you! It is an exercise on whether we can use terms used in talking about art, in this using the term ‘style’ alone, to recognise a artist’ s work.

Visualising passion – approaching J.M.W. Turner’s  attempt to capture the embodiment of desire in ‘Turner’s Secret Sketches’ edited by Ian Warrell (2012).

Visualising passion – approaching J.M.W. Turner’s  attempt to capture the embodiment of desire in Turner’s Secret Sketches edited by Ian Warrell (2012) Tate Publishing. I am still cataloguing my books, abandoning many along the way, and have reached book number 3744 of the books I am keeping. The book is Turner’s Secret Sketches, edited and … More Visualising passion – approaching J.M.W. Turner’s  attempt to capture the embodiment of desire in ‘Turner’s Secret Sketches’ edited by Ian Warrell (2012).

Samuel Beckett was as meticulous about writing his stage directions as he was in writing poetic prose, and contingent character-based exclamations, of the monologues and dialogues spoken on the stage. How radically will Gary Oldman dare, if at all, to rewrite both the stage directions and words of Beckett’s spoken by him as ‘Krapp’.

Gary Oldman viewing the auditorium of the York Theatre Royal, on whose stage he opened performance last night for the first time of the play by Samuel Beckett, under his own direction, Krapp’s Last Tape. I see it at 7.30 p.m. on 22nd April. Photograph from theatre website: see https://www.yorktheatreroyal.co.uk/latest/gary-oldman-stars-in-samuel-becketts-krapps-last-tape-at-york-theatre-royal/ I will see Gary Oldman … More Samuel Beckett was as meticulous about writing his stage directions as he was in writing poetic prose, and contingent character-based exclamations, of the monologues and dialogues spoken on the stage. How radically will Gary Oldman dare, if at all, to rewrite both the stage directions and words of Beckett’s spoken by him as ‘Krapp’.

The Art of the Pit Head Bath. Tom McGuinness: metamorphic artist

The Art of the Pit Head Bath. Joanna Drew (Arts Council of Great Britain – ACGB), Douglas Gray (art selector & essayist), Norman Siddall (British National Coal Board – NCB), Sir William Rees-Mogg (ACGB) & Dr John Kanefsky (essaysist) (1982: page 81) Coal: British Mining in Art 1680 -1980, London, The Arts Council of Great … More The Art of the Pit Head Bath. Tom McGuinness: metamorphic artist

Putting my head above the parapet again, if only for a gesture: ‘a GREEN thought in a GREEN shade’.

Describe one positive change you have made in your life I suppose a large part of my life previously has been committed to politics, having joined the Labour Party for the first time in my teens but I suppose that my politics may have faded in my life after I left the Party. I did … More Putting my head above the parapet again, if only for a gesture: ‘a GREEN thought in a GREEN shade’.

I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s short stories in ‘The American No’. This blog is mainly on his Oscar for A Last Season.

I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s (2025) short stories in The American No London, Abacus Books. This blog is mainly on his Oscar for A Last Season The American No is a new set of short stories by … More I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s short stories in ‘The American No’. This blog is mainly on his Oscar for A Last Season.

When did I last feel nervous? Literally, when I read that poem.

The question today is full of Unstated assumptions about the word ‘nervous’, even if we grant that it is older meaning in thr history of the usage of this Latin-derived word in English is obsolete which I can’t quite admit. Here is the point about the word in etymonline. com: late 14c., “containing nerves; affecting … More When did I last feel nervous? Literally, when I read that poem.

Happiness can only be a fleeting accident of life, not a permanent keepsake.

What are 5 everyday things that bring you happiness? Today at Bishop Auckland festival market, I looked for five things that gave me happiness. They don’t endure. They can’t.  Happiness can only be a fleeting accident of life, not a permanent keepsake. I have tried to unpack my issues with the expectation of ‘happiness’ already … More Happiness can only be a fleeting accident of life, not a permanent keepsake.

Good theatre is a shared experience but what is shared can only be decided by negotiation of our responsibility to all of its collaborators – writers, directorial staff, actors, the theatre and the audience. J.B. Priestley has his strange inspector (of what we ask) say in ‘An Inspector Calls’: “you see we have to share something. If there’s nothing else, we’ll have to share our guilt”. A funny thing happened to me when I went to see Stephen Daldry’s production at the Sunderland Empire on 8th April 2024.

Good theatre is a shared experience but what is shared can only be decided by negotiation of our responsibility to all of its collaborators – writers, directorial staff, actors, the theatre and the audience. J.B. Priestley has his strange inspector (of what we ask) say in ‘An Inspector Calls‘: “you see we have to share … More Good theatre is a shared experience but what is shared can only be decided by negotiation of our responsibility to all of its collaborators – writers, directorial staff, actors, the theatre and the audience. J.B. Priestley has his strange inspector (of what we ask) say in ‘An Inspector Calls’: “you see we have to share something. If there’s nothing else, we’ll have to share our guilt”. A funny thing happened to me when I went to see Stephen Daldry’s production at the Sunderland Empire on 8th April 2024.

‘When Paul and Peter wake up in the same bed, and recognize that they have been asleep, each one of them mentally reaches back and makes connection with but one of the two streams of thought which were broken by the sleeping hours’. My first thought is: “that explanatory parables open up a can of worms”.

‘When Paul and Peter wake up in the same bed, and recognize that they have been asleep, each one of them mentally reaches back and makes connection with but one of the two streams of thought which were broken by the sleeping hours’. [1] My first thought is: “that explanatory parables open up a can of worms”. … More ‘When Paul and Peter wake up in the same bed, and recognize that they have been asleep, each one of them mentally reaches back and makes connection with but one of the two streams of thought which were broken by the sleeping hours’. My first thought is: “that explanatory parables open up a can of worms”.

Sea Sepent Dancing! Well, you asked!

What’s the most fun way to exercise? Laocoön (/leɪˈɒkoʊˌɒn, -kəˌwɒn/; Ancient Greek: Λαοκόων, romanized: Laokóōn, IPA: [laokóɔːn], gen.: Λαοκόοντος) is a figure in Greek and Roman mythology and the Epic Cycle. For that perfect mix of fun and pain, without which latter there is no gain and no grace, spend time Dancing with Sea Serpents. … More Sea Sepent Dancing! Well, you asked!